Home
Film

Film

.imgHideOnJavaScriptDisabled_im7htab6s { display: none !important; }

‘New Town Utopia’ bids you welcome to the concrete bungle

.imgHideOnJavaScriptDisabled_im7htab6t { display: none !important; }

‘Beast’ is a feast of psycho-sexual energy and violent passion

.imgHideOnJavaScriptDisabled_im7htab6u { display: none !important; }

Apes, jazz cigarettes and an extraterrestrial Homer’s Odyssey – 2001 reloaded

.imgHideOnJavaScriptDisabled_im7htab6v { display: none !important; }

Maxine Peake: “No one will finance a film because I am in it”

.imgHideOnJavaScriptDisabled_im7htab6w { display: none !important; }

Win a pair of tickets for Skid Row Marathon previews! Featuring a live Q&A

.imgHideOnJavaScriptDisabled_im7htab6x { display: none !important; }

‘Skid Row Marathon’ stunningly documents running recovery for LA’s homeless

.imgHideOnJavaScriptDisabled_im7htab6y { display: none !important; }

Listen to David Morrissey’s ‘The City And The City’ Spotify playlist

.imgHideOnJavaScriptDisabled_im7htab6z { display: none !important; }

‘120 Beats per Minute’ is an Aids docudrama that doesn’t waste a second

.imgHideOnJavaScriptDisabled_im7htab70 { display: none !important; }

Isle of Dogs, review – is it time Wes Anderson learned some new tricks?

.imgHideOnJavaScriptDisabled_im7htab71 { display: none !important; }

Punk, Icon, Activist: Never mind the Sex Pistols, here’s Vivienne

.imgHideOnJavaScriptDisabled_im7htab72 { display: none !important; }

The Square, review – is it hip to be satirising art world vapidity?

.imgHideOnJavaScriptDisabled_im7htab73 { display: none !important; }

You Were Never Really Here, review – Joaquin Phoenix nails hammer hitman act

.imgHideOnJavaScriptDisabled_im7htab74 { display: none !important; }

Susan Sarandon: “Hedy Lamarr was so strong, as well as brilliant”

.imgHideOnJavaScriptDisabled_im7htab75 { display: none !important; }

Watch ‘SMEAR’ – a terrifying, tentacle-infested trip to the gynaecologist

.imgHideOnJavaScriptDisabled_im7htab76 { display: none !important; }

Duncan Jones: Twitter love for Mute has recharged my heart

.imgHideOnJavaScriptDisabled_im7htab77 { display: none !important; }

Daniela Vega: “Anyone can connect with Marina”

.imgHideOnJavaScriptDisabled_im7htab78 { display: none !important; }

A Fantastic Woman, review – Oscar hopeful is a powerful portrait of prejudice

.imgHideOnJavaScriptDisabled_im7htab79 { display: none !important; }

The Shape of Water and the history of interspecies love

.imgHideOnJavaScriptDisabled_im7htab7a { display: none !important; }

Dark River, review – dive into this murky Yorkshire drama at your own risk

.imgHideOnJavaScriptDisabled_im7htab7b { display: none !important; }

Loveless, review – an ominous portrait of neglect with precious little hope

.css-l0mio9{display:none;visibility:hidden;}