Film
Jamie Lee Curtis is back for ‘Halloween’, so how about a ‘Blue Steel’ sequel?

Jamie Lee Curtis is back for ‘Halloween’, so how about a ‘Blue Steel’ sequel?
John Carpenter’s satirical horror ‘They Live’ looks scarily prescient today

John Carpenter’s satirical horror ‘They Live’ looks scarily prescient today
Lunar eclipsed – ‘First Man’ leaves our critic earthbound in his final review

Lunar eclipsed – ‘First Man’ leaves our critic earthbound in his final review
‘Columbus’ savours the fine architecture of buildings and relationships alike

‘Columbus’ savours the fine architecture of buildings and relationships alike
‘The Gospel According to André’ – the doc for a dedicated follower of fashion

‘The Gospel According to André’ – the doc for a dedicated follower of fashion
Back in the saddle – ‘The Rider’ leaps flawlessly between reality and fiction

Back in the saddle – ‘The Rider’ leaps flawlessly between reality and fiction
‘The Miseducation of Cameron Post’ gives a whole new meaning to bad education

‘The Miseducation of Cameron Post’ gives a whole new meaning to bad education
Spike Lee’s ‘BlacKkKlansman’ is a provocative and urgent film for our times

Spike Lee’s ‘BlacKkKlansman’ is a provocative and urgent film for our times
The Eyes of Orson Welles offers a fresh perspective on the filmmaker’s life

The Eyes of Orson Welles offers a fresh perspective on the filmmaker’s life
Director slams censors as new film A Northern Soul is rated as a 15

Director slams censors as new film A Northern Soul is rated as a 15
How very good was 1988 high-school black comedy Heathers?

How very good was 1988 high-school black comedy Heathers?
With its semi-miraculous plot contrivances ‘The Apparition’ is beyond belief

With its semi-miraculous plot contrivances ‘The Apparition’ is beyond belief
Daniel Kokotajlo’s debut ‘Apostasy’ is a tense tale of faith versus family

Daniel Kokotajlo’s debut ‘Apostasy’ is a tense tale of faith versus family
‘Generation Wealth’: A suitably overloaded look at lives of the super-rich

‘Generation Wealth’: A suitably overloaded look at lives of the super-rich
Standing out from the herd – in praise of Belgian filmmaker Agnes Varda

Standing out from the herd – in praise of Belgian filmmaker Agnes Varda
‘In the Fade’ – Diane Kruger excels in tale of far-right violence and revenge

‘In the Fade’ – Diane Kruger excels in tale of far-right violence and revenge
‘McQueen’ is another fine cut in the recent fashion of haute couture movies

‘McQueen’ is another fine cut in the recent fashion of haute couture movies
Don’t let the daftness of ‘L’Amant Double’ trouble you – just surrender
