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1917 review: it’s a terrifically good beat-the-clock nailbiter

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M Night Shyamalan takes us through the real-life twists that surprise him

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Why we are being bombarded by romantic Christmas films

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Anthony McCarten, the writer with the Midas touch, on his ‘Pope Opera’

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Anthony Daniels reckons he’s quite similar to Star Wars droid C-3PO

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Edward Norton’s passion project Motherless Brooklyn is worth the wait

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Karen Gillan: “I wasn’t a wild child”

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Rian Johnson has Knives Out for the murder mystery genre

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There’s little magic in The Amazing Johnathan Documentary

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Blade Runner Day: Remembering Rutger Hauer and the van that changed his life

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Emilia Clarke: How can you get yourself together when you don’t have a home?

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Helen Mirren and Ian McKellen shine in The Good Liar

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Blade Runner is set in November 2019 but what does it say about our future?

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Ken Loach’s Sorry We Missed You shows reality of austerity Britain

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REVIEW: Naomie Harris finally gets a lead role in Black and Blue

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Meet Pennyworth, Alfred Pennyworth: Jack Bannon brings together Batman & Bond

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Chris Morris interview: “It’s bonanza time for bad behaviour”

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REVIEW: Chris Morris is back with scabrous comedy The Day Shall Come

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After the yellow brick road: Renée Zellweger plays a fading icon in Judy

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Big Issue vendor Lavinia has starring role at Wales Film Festival

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