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Nightbitch director Marielle Heller: ‘I’m trying to normalise the messy side of menstruation’

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Letter to my Younger Self

Xena: Warrior Princess star Lucy Lawless: ‘To have Lisa Simpson say your name is crazy’

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These children are going blind – so their parents gave them memories to last a lifetime

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Malala Yousafzai on taking on the Taliban and why ‘storytelling is the soul of activism’

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Wicked: The musical reimagining of The Wizard of Oz shows a way to reclaim the American dream

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Seven Samurai is the daddy of all action films. So why have I never watched it until now?

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John David Washington and Danielle Deadwyler: ‘When are Black people not in dire straits?’

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Will Gladiator II be a useful cautionary tale about putting self-serving man-babies in charge?

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Emily Mortimer: ‘Britain can be a tolerant place – but obviously there’s times when it isn’t’

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Paddington is a British icon. So why are we all not a bit more like Paddington?

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‘War is madness’: Steve McQueen and Saoirse Ronan on Britishness, trauma and new drama Blitz

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Anora review – even Russian mercenaries have a sensitive side

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We live in a golden moment for African cinema. It reminds us films are not just about entertainment

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The Room Next Door review – Pedro Almodóvar puts friendship and assisted dying in laser-focus

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Timestalker review – digging deep into how love makes fools of us all

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Joker: Folie à Deux says nothing meaningful about living with mental illness

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Will Ferrell takes a crash course in trans advocacy in new Netflix doc Will & Harper

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My Old Ass review – a sweet and cathartic coming-of-ages movie with a twist

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The Gilded Age star Carrie Coon: ‘We don’t have to be a capitalist machine’

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‘It’s art for people’: This one-man kayak project shows the beauty of slowing down

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