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The Brutalist director Brady Corbet: ‘This film will, unfortunately, never not be relevant’

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Saturday Night captures the energised rush of an US institution

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Actor Rose Williams joins Big Issue as new Ambassador

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Hard Truths director Mike Leigh: ‘I make films for audiences to see, not for awards’

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The Brutalist star Joe Alwyn: ‘I didn’t think of Trump as an inspiration for my character, but…’

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Sonny Boy by Al Pacino review – a great actor’s final word

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‘It’s like watching Michelangelo work’: Joan Baez, Kris Kristofferson and more on what Bob Dylan is really like

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Swipe right on this trio of films from female directors on women and love

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Inside the Big Issue

Inside the Big Issue: No secrets to conceal

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William Tell director Nick Hamm on why the apple scene is so relevant today: ‘It cuts to the core’

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Superheroes, sinners and sequels: The ultimate guide to the most anticipated films of 2025

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Nickel Boys star Aunjanue Ellis-Taylor: ‘Black women’s tears are exploited’

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How can Netflix top sexy snowman caper Hot Frosty?

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Rom-com master Richard Curtis on Christmas, Love Actually and criticism: ‘You change with the times’

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Grand Theft Hamlet: Why these unemployed actors staged a Shakespeare play inside a video game

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Rumours review – an absurdist satire of the G7 summit that should make us all a bit afraid

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Nightbitch director Marielle Heller: ‘I’m trying to normalise the messy side of menstruation’

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Letter to my Younger Self

Xena: Warrior Princess star Lucy Lawless: ‘To have Lisa Simpson say your name is crazy’

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These children are going blind – so their parents gave them memories to last a lifetime

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Malala Yousafzai on taking on the Taliban and why ‘storytelling is the soul of activism’

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