Home
Film

Film

.imgHideOnJavaScriptDisabled_imarvxea4 { display: none !important; }

Nickel Boys star Aunjanue Ellis-Taylor: ‘Black women’s tears are exploited’

.imgHideOnJavaScriptDisabled_imarvxea5 { display: none !important; }

How can Netflix top sexy snowman caper Hot Frosty?

.imgHideOnJavaScriptDisabled_imarvxea6 { display: none !important; }

Rom-com master Richard Curtis on Christmas, Love Actually and criticism: ‘You change with the times’

.imgHideOnJavaScriptDisabled_imarvxea7 { display: none !important; }

Grand Theft Hamlet: Why these unemployed actors staged a Shakespeare play inside a video game

.imgHideOnJavaScriptDisabled_imarvxea8 { display: none !important; }

Rumours review – an absurdist satire of the G7 summit that should make us all a bit afraid

.imgHideOnJavaScriptDisabled_imarvxea9 { display: none !important; }

Sanditon star Rose Williams helps Big Issue with Christmas deliveries: ‘A pleasure and a privilege’

.imgHideOnJavaScriptDisabled_imarvxeaa { display: none !important; }

Nightbitch director Marielle Heller: ‘I’m trying to normalise the messy side of menstruation’

.imgHideOnJavaScriptDisabled_imarvxeab { display: none !important; }

Letter to my Younger Self

Xena: Warrior Princess star Lucy Lawless: ‘To have Lisa Simpson say your name is crazy’

.imgHideOnJavaScriptDisabled_imarvxeac { display: none !important; }

Malala Yousafzai on taking on the Taliban and why ‘storytelling is the soul of activism’

.imgHideOnJavaScriptDisabled_imarvxead { display: none !important; }

Wicked: The musical reimagining of The Wizard of Oz shows a way to reclaim the American dream

.imgHideOnJavaScriptDisabled_imarvxeae { display: none !important; }

Seven Samurai is the daddy of all action films. So why have I never watched it until now?

.imgHideOnJavaScriptDisabled_imarvxeaf { display: none !important; }

John David Washington and Danielle Deadwyler: ‘When are Black people not in dire straits?’

.imgHideOnJavaScriptDisabled_imarvxeag { display: none !important; }

Will Gladiator II be a useful cautionary tale about putting self-serving man-babies in charge?

.imgHideOnJavaScriptDisabled_imarvxeah { display: none !important; }

Ben Whishaw on the ‘quiet political message’ running through Paddington: ‘I love it’

.imgHideOnJavaScriptDisabled_imarvxeai { display: none !important; }

Emily Mortimer: ‘Britain can be a tolerant place – but obviously there’s times when it isn’t’

.imgHideOnJavaScriptDisabled_imarvxeaj { display: none !important; }

Paddington is a British icon. So why are we all not a bit more like Paddington?

.imgHideOnJavaScriptDisabled_imarvxeak { display: none !important; }

Anora review – even Russian mercenaries have a sensitive side

.imgHideOnJavaScriptDisabled_imarvxeal { display: none !important; }

We live in a golden moment for African cinema. It reminds us films are not just about entertainment

.imgHideOnJavaScriptDisabled_imarvxeam { display: none !important; }

The Room Next Door review – Pedro Almodóvar puts friendship and assisted dying in laser-focus

.imgHideOnJavaScriptDisabled_imarvxean { display: none !important; }

Timestalker review – digging deep into how love makes fools of us all

.css-l0mio9{display:none;visibility:hidden;}