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Furiosa director George Miller on the function of stories and why Mad Max is a ‘cautionary tale’

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The Garfield Movie review – we’re not feline the tubby orange tabby’s full CGI makeover

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Made in England: The Films of Powell and Pressburger – Scorsese’s tribute to duo who inspired him

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Filmmaker Melanie Manchot explains how her drama Stephen can offer hope to addicts

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Banshees of Inisherin star Kerry Condon: ‘You won’t be a beautiful human without empathy’

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Challengers review – Zendaya stars in an absurdly compelling three-way love match

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Mena Massoud on life after Aladdin, confidence and the problem with roles for actors of colour

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Cocktails with George and Martha by Philip Gefter review – art imitating life in a war of egos 

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Civil War director Alex Garland on ChatGPT, 28 Years Later and why Britain is like a ‘pet cat’

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From The Iron Claw to Opponent: How wrestling films began grappling with real issues

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Gillian Anderson, Billie Piper and Rufus Sewell on recreating Prince Andrew’s car-crash interview in Scoop

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Io Capitano director Matteo Garrone on why a refugee’s journey is so much more than small boats

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‘Everyone has a story’: Watch The Beautiful Game stars explain why Homeless World Cup is so important

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Letter to my Younger Self

Fool Me Once star Adeel Akhtar: ‘Drama school felt like running away and joining the circus’

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Cynthia Erivo on identity, migrant crisis and what she’s learned playing Elphaba in Wicked

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Homeless World Cup

Bill Nighy: ‘Footballers are physical geniuses creating passages of great beauty. It’s fascinating’

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Ghostbusters: Frozen Empire review – a heartfelt and ‘nostalgia-tickling’ sequel

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Robot Dreams director Pablo Berger on grief, loss and the Oscars underdog winning hearts everywhere

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The Blues Brothers by Daniel de Visé review – behind the scenes of a musical comedy classic

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The New Boy director Warwick Thornton: ‘Democracy is a failure for world’s indigenous people’

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