Home
Film

Film

.imgHideOnJavaScriptDisabled_im8zrtivb { display: none !important; }

Emma Stone’s new film Poor Things is a fantastical discovery of mind, body and world

.imgHideOnJavaScriptDisabled_im8zrtivc { display: none !important; }

New Year Honours

New Year Honours list: Emilia Clarke and her mum made MBEs for setting up brain injury charity

.imgHideOnJavaScriptDisabled_im8zrtivd { display: none !important; }

Best of the year

Barbie, boygenius and King’s Coronation: These are the best cultural moments of 2023

.imgHideOnJavaScriptDisabled_im8zrtive { display: none !important; }

Wonka stars Mathew Baynton and Simon Farnaby: ‘With the help of others you can change the world’

.imgHideOnJavaScriptDisabled_im8zrtivf { display: none !important; }

Love Actually: Is it a Christmas classic or an unwatchable schmaltz-fest?

.imgHideOnJavaScriptDisabled_im8zrtivg { display: none !important; }

Leonard Bernstein: Exploring the American composer behind Bradley Cooper’s musical biopic Maestro

.imgHideOnJavaScriptDisabled_im8zrtivh { display: none !important; }

Marc Bolan: AngelHeaded Hipster doc shows how manic pixie dream boy inspired Nick Cave, U2 and more

.imgHideOnJavaScriptDisabled_im8zrtivi { display: none !important; }

Rom-com royalty Meg Ryan is coming home to woo us one more time

.imgHideOnJavaScriptDisabled_im8zrtivj { display: none !important; }

Greed, betrayal and exploitation: The cruel true story behind Scorsese’s Killers of the Flower Moon

.imgHideOnJavaScriptDisabled_im8zrtivk { display: none !important; }

The Old Oak: Director Ken Loach and writer Paul Laverty on changing the conversation and challenging cruelty

.imgHideOnJavaScriptDisabled_im8zrtivl { display: none !important; }

Hollywood strikes

UK film and TV workers forced to find new jobs and claim benefits due to Hollywood strikes

.imgHideOnJavaScriptDisabled_im8zrtivm { display: none !important; }

Incredible story behind man who created a dress out of nettles

.imgHideOnJavaScriptDisabled_im8zrtivn { display: none !important; }

‘When you read Maigret you feel good. You make peace with that unsettling aspect of humanity’

.imgHideOnJavaScriptDisabled_im8zrtivo { display: none !important; }

Oppenheimer is loud – but there are more potentially explosive biopics

.imgHideOnJavaScriptDisabled_im8zrtivp { display: none !important; }

Is Mission: Impossible on Cruise control?

.imgHideOnJavaScriptDisabled_im8zrtivq { display: none !important; }

John Rhys-Davies: ‘We learn from our exposure to fear’

.imgHideOnJavaScriptDisabled_im8zrtivr { display: none !important; }

Robert Carlyle interview: ‘The Full Monty is highly political’

.imgHideOnJavaScriptDisabled_im8zrtivs { display: none !important; }

another dimension

Rocky Horror at 50: ‘A place for the marginalised’

.imgHideOnJavaScriptDisabled_im8zrtivt { display: none !important; }

Jayde Adams on how Take That movie Greatest Days captures the ‘intensity of fandom’

.imgHideOnJavaScriptDisabled_im8zrtivu { display: none !important; }

Melanie Lynskey: Yellowjackets, zombies, Keanu Reeves and me

.css-l0mio9{display:none;visibility:hidden;}