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The Holdovers review – a film of well-turned wit and emotional warmth

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Jodie Comer: ‘I really want women to see themselves depicted in a truthful light’

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Emma Stone’s new film Poor Things is a fantastical discovery of mind, body and world

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New Year Honours

New Year Honours list: Emilia Clarke and her mum made MBEs for setting up brain injury charity

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Best of the year

Barbie, boygenius and King’s Coronation: These are the best cultural moments of 2023

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Wonka stars Mathew Baynton and Simon Farnaby: ‘With the help of others you can change the world’

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Love Actually: Is it a Christmas classic or an unwatchable schmaltz-fest?

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Leonard Bernstein: Exploring the American composer behind Bradley Cooper’s musical biopic Maestro

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Rom-com royalty Meg Ryan is coming home to woo us one more time

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Stop Making Sense review – a once in a lifetime Talking Heads show

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Greed, betrayal and exploitation: The cruel true story behind Scorsese’s Killers of the Flower Moon

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The Old Oak: Director Ken Loach and writer Paul Laverty on changing the conversation and challenging cruelty

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Hollywood strikes

UK film and TV workers forced to find new jobs and claim benefits due to Hollywood strikes

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Incredible story behind man who created a dress out of nettles

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‘When you read Maigret you feel good. You make peace with that unsettling aspect of humanity’

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Oppenheimer is loud – but there are more potentially explosive biopics

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John Rhys-Davies: ‘We learn from our exposure to fear’

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Joseph Bologne and Karl Jenkins: Misrepresented composers, centuries apart

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Robert Carlyle interview: ‘The Full Monty is highly political’

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another dimension

Rocky Horror at 50: ‘A place for the marginalised’

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