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Blur: To The End review – poignant new music film shows a band of brothers reunited

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Why Sasquatch Sunset is so much more than just a gross-out comedy in Chewbacca drag

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Letter to my younger self

Furiosa star Tom Burke: ‘It stung when someone said I didn’t have a face for TV’

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Netflix’s Hit Man is what we used to call ‘a good time at the movies’ – but times have changed

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‘This country is run by idiots and fools’: Paul Weller on politics, God and the state of everything

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Viggo Mortensen on Trump, corruption and why classic Westerns are like the best poetry

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Furiosa director George Miller on the function of stories and why Mad Max is a ‘cautionary tale’

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The Garfield Movie review – we’re not feline the tubby orange tabby’s full CGI makeover

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Filmmaker Melanie Manchot explains how her drama Stephen can offer hope to addicts

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Banshees of Inisherin star Kerry Condon: ‘You won’t be a beautiful human without empathy’

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Challengers review – Zendaya stars in an absurdly compelling three-way love match

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Mena Massoud on life after Aladdin, confidence and the problem with roles for actors of colour

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Cocktails with George and Martha by Philip Gefter review – art imitating life in a war of egos 

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Back to Black actor Eddie Marsan: ‘There aren’t any no-go areas in Tower Hamlets’

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Civil War director Alex Garland on ChatGPT, 28 Years Later and why Britain is like a ‘pet cat’

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From The Iron Claw to Opponent: How wrestling films began grappling with real issues

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Io Capitano director Matteo Garrone on why a refugee’s journey is so much more than small boats

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‘Everyone has a story’: Watch The Beautiful Game stars explain why Homeless World Cup is so important

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Letter to my Younger Self

Fool Me Once star Adeel Akhtar: ‘Drama school felt like running away and joining the circus’

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Cynthia Erivo on identity, migrant crisis and what she’s learned playing Elphaba in Wicked

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