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The Blues Brothers by Daniel de Visé review – behind the scenes of a musical comedy classic

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The New Boy director Warwick Thornton: ‘Democracy is a failure for world’s indigenous people’

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The problem with UK’s film industry? It’s easier to win an Oscar if you went to private school

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Indigenous rights

What has Oscar-nominated Killers of the Flower Moon changed for the people at its heart?

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Big Issue ambassador

Someone’s Daughter, Someone’s Son filmmaker Lorna Tucker named Big Issue ambassador

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Dune: Part Two review – deluxe space opera with a discreet safety net

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From Silence of the Lambs to Sonic the Hedgehog: 6 films you didn’t realise are actually romantic

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Michael Winterbottom on new film Shoshana, Israel’s war and how violence makes people ‘take sides’

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The Holdovers review – a film of well-turned wit and emotional warmth

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Jodie Comer: ‘I really want women to see themselves depicted in a truthful light’

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Emma Stone’s new film Poor Things is a fantastical discovery of mind, body and world

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New Year Honours

New Year Honours list: Emilia Clarke and her mum made MBEs for setting up brain injury charity

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Best of the year

Barbie, boygenius and King’s Coronation: These are the best cultural moments of 2023

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Wonka stars Mathew Baynton and Simon Farnaby: ‘With the help of others you can change the world’

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Love Actually: Is it a Christmas classic or an unwatchable schmaltz-fest?

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Leonard Bernstein: Exploring the American composer behind Bradley Cooper’s musical biopic Maestro

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Rom-com royalty Meg Ryan is coming home to woo us one more time

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Stop Making Sense review – a once in a lifetime Talking Heads show

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Greed, betrayal and exploitation: The cruel true story behind Scorsese’s Killers of the Flower Moon

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The Old Oak: Director Ken Loach and writer Paul Laverty on changing the conversation and challenging cruelty

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