From the magazine
Tracy-Ann Oberman: ‘I’d like to go back and put an arm around myself’
Tracy-Ann Oberman: ‘I’d like to go back and put an arm around myself’
Daniel Mays: ‘Becoming a dad made me a better person and a better actor, it galvanised me’
Daniel Mays: ‘Becoming a dad made me a better person and a better actor, it galvanised me’
Bernie Sanders: ‘Real fundamental change never comes easily’
Bernie Sanders: ‘Real fundamental change never comes easily’
I Have Some Questions For You by Rebecca Makkai review: A superbly paced mystery
I Have Some Questions For You by Rebecca Makkai review: A superbly paced mystery
The Springs of Affection by Maeve Brennan: A fabulous reissue
The Springs of Affection by Maeve Brennan: A fabulous reissue
Sharper director Benjamin Caron: ‘Money basically equals success in New York’
Sharper director Benjamin Caron: ‘Money basically equals success in New York’
Travis Alabanza: ‘If I can make an audience laugh then I can make them think’
Travis Alabanza: ‘If I can make an audience laugh then I can make them think’
Mark Rylance: We must remember Brian Haw, ‘the most adhesive of protesters’
Mark Rylance: We must remember Brian Haw, ‘the most adhesive of protesters’
The library is a centre of empathy we cannot afford to lose
The library is a centre of empathy we cannot afford to lose
Top 5 books about birds, chosen by Jasmine Donahaye
Top 5 books about birds, chosen by Jasmine Donahaye
The Mountain in the Sea review: Ray Nayler’s ‘refreshing approach’ to alien first contact
The Mountain in the Sea review: Ray Nayler’s ‘refreshing approach’ to alien first contact
A lot has changed since the war years, but poverty remains
A lot has changed since the war years, but poverty remains
Behind the wild man of Vienna: Who was the real Beethoven?
Behind the wild man of Vienna: Who was the real Beethoven?
The Terraformers review: ‘A remarkable piece of world building’
The Terraformers review: ‘A remarkable piece of world building’
Pitchfork’s viral Måneskin review reminds us music criticism can be savagely entertaining
Pitchfork’s viral Måneskin review reminds us music criticism can be savagely entertaining
Jack Lowden on BBC thriller The Gold: ‘It was sort of ridiculous, but also dangerous’
