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Kesha’s new album Rainbow is a victory in itself amid a bitter legal conflict

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Shaun Ryder: “Tony Wilson made history”

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Jazz at 100 – the musical force that arguably shaped popular music culture

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Annie Hart, Impossible Accomplice – ear-candy with intimacy and feeling

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Arcade Fire, Everything Now – good tunes underwrite OTT conceptual conceit

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The songs of Scott Walker at the BBC Proms – virtuosic and visionary

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Lana Del Rey, Liam Gallagher and Arcade Fire – best of the rest of 2017

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East Neuk Festival Director Svend McEwan-Brown on the joy of small festivals

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Music Review: Haim, Something to Tell You – festival headliners or bust

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Music Review: Royal Blood, How Did We Get So Dark? – the big time beckons

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Music Review: Katy Perry, Witness – purposeful pop needn’t be such a drag

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Chas Hodges: The songs that made me

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Music Review: Cigarettes After Sex – one of 2017’s most intoxicating debuts

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Music Review: Phoenix, Ti Amo – the make-out record to make your summer

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Music Review: J Hus, Common Sense – Grime’s next big thing

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Music Review: Harry Styles – Moving in a different direction

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Review: Claudio Monteverdi – Celebrating the godfather of opera

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Sounds of the Underground: Synaesthetic Musician Creates LP Based on Tube Map

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Scott Mills: “My confidence was non-existent when I joined Radio 1”

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Jóhann Jóhannsson: ‘Post-classical, punk and pigeonholes’

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