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Family Politics by John O’Farrell review – a plea to engage with those whose views we abhor

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Mrs Gulliver by Valerie Martin review – finding agency in a patriarchy

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Freaks Out! by Luke Haines review – a righteous celebration of gloriously weird rock ‘n’ rollers

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Dune: Part Two review – deluxe space opera with a discreet safety net

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Breathtaking and The Way: These are the next Mr Bates-style TV dramas poised to shake-up Britain

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The Smile just made the best Radiohead album Radiohead never made

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American Fiction review – a satirical take on novel writing with Jeffrey Wright

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Cruel Intentions: The ’90s Musical review – nostalgia never felt so wicked

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Namesake by NS Nuseibeh review – personal insight informed by Islamic myth and culture

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Ava Anna Ada by Ali Millar review – the apocalyptic age of anxiety

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Normal Women by Ainslie Hogarth – a dark take on suburban motherhood

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The Holdovers review – a film of well-turned wit and emotional warmth

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To the Dogs by Louise Welsh review – a propulsive campus thriller

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Emma Stone’s new film Poor Things is a fantastical discovery of mind, body and world

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Halfway House by Helen FitzGerald review – a masterclass in blackly comic horror

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Our essential guide to the best TV shows of 2023: From The Last of Us to Succession

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The definitive guide to best children’s and YA books of 2023

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Yule Island by Johana Gustawsson review – gritty, scary, funny and full of heart crime writing

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Gaslight by Femi Kayode review – a powerful evocation of today’s Nigeria

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How Star Wars Holiday Special became more powerful than George Lucas could possibly imagine

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