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The Mother sees Jennifer Lopez take the well-worn path from A-list to badass babe

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Human Sacrifices review: As brutal as the name implies

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Patricia Wants to Cuddle review: Spine-tingling moments of mystery

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What Guardians of the Galaxy Vol 3 owes to Doctor Who

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The Imposters by Tom Rachman review: Dark humour and a flair for invention

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Sleepwalk by Dan Chaon review: Both insane and insanely brilliant

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Dixon and Daughters: Vital National Theatre production shows how trauma can echo through generations of women

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The best TV of the year 2023

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A blast of Benidorm will make everything seem sunny

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Biography of X review by Catherine Lacey: ‘A stroke of genius’

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Missing: A nifty tech thriller that raises the bar

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The Mandalorian season 3 finale: Is this too much Star Wars?

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Shy review: Max Porter’s spectacular novel unpacks teen attitudes to masculinity

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Eddie Piller’s electrifying trip back to Mod’s second wave

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Greek Lessons by Han Kang review: A luminous reflection on the difficulties of language

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The Long Form by Kate Briggs: Profoundly ambiguous, wonderfully unstructured

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Dystopian fiction

Thirsty Animals review: A dystopian future ‘impeccably depicted’

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Death Watch review: Killer timepieces and the emptiness of consumerism

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God’s Creatures: Paul Mescal flexes his brogue in artfully bleak Irish family drama

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Birnam Wood by Eleanor Catton review: ‘Nothing like you’ll expect’

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