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Everything Went Fine: A right-to-die story that’s strangely life-affirming

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Stanley Tucci’s forbidden foods make for mouth-watering TV

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classical music

In opera Violet, time becomes elastic and society crumbles

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Why Bo Burnham’s Inside still resonates so much with young adults

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Companion Piece by Ali Smith review: Finding compassion in a world of everyday injustices

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Danny Boyle’s Sex Pistols TV show proves the filth and fury endures

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Homelands by Chitra Ramaswamy review: A gripping novel about heritage, exile, friendship and family

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Ensemble 360: A dawn chorus worth getting out of bed for

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Grand Designs people are not like the rest of us

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The Derry Girls finale: sublime television – poignant, political and properly funny

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River Clyde by Simone Buchholz review: A daring, original crime story

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Muse and Razorlight complete triumphant return with electrifying live show in support of The Big Issue

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The Contractor review: Mindless title, mindful military thriller

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Our Wives Under the Sea by Julia Armfield review: A mystical thriller with serious depth

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A Bug’s Life to Billy Elliot: 7 best socialist films to watch this Labour Day bank holiday

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This week’s Big TV: Ten Percent, Navalny, Clark and Generation Change

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Channing Tatum was seemingly engineered in a lab to give uncomplicated pleasures to audiences

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This week’s Big TV: Gaslit, Chivalry, Tan France: Beauty and the Bleach, Life After Life and Heartstopper

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The Wonders by Elena Medel review: a gripping portrayal of poverty and powerlessness

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How Anya Taylor-Joy cornered the Complex Female Character market

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