Home
Review

Review

.imgHideOnJavaScriptDisabled_im3sxh9tu { display: none !important; }

The messy magic of The Beatles and Ben Corrigan’s fascinating podcast

.imgHideOnJavaScriptDisabled_im3sxh9tv { display: none !important; }

More polite than passionate: has Bridgerton lost its sparkle?

.imgHideOnJavaScriptDisabled_im3sxh9tw { display: none !important; }

Chilean Poet by Alejandro Zambra review: A dazzling jewel from a true original

.imgHideOnJavaScriptDisabled_im3sxh9tx { display: none !important; }

The Worst Person in the World: A coming-of-age tale with a misleading title

.imgHideOnJavaScriptDisabled_im3sxh9ty { display: none !important; }

Cymande – the most influential band you’ve never heard of

.imgHideOnJavaScriptDisabled_im3sxh9tz { display: none !important; }

The directors of Lead Me Home want to bring the film’s homeless stars to the Oscars

.imgHideOnJavaScriptDisabled_im3sxh9u0 { display: none !important; }

Our Country Friends by Gary Shteyngart review: a contemporary literary hoot

.imgHideOnJavaScriptDisabled_im3sxh9u1 { display: none !important; }

Skint: the BBC’s new series of monologues are informed by lived experience of poverty

.imgHideOnJavaScriptDisabled_im3sxh9u2 { display: none !important; }

The Imposter by Silvina Ocampo review: A glorious, unexpected joy

.imgHideOnJavaScriptDisabled_im3sxh9u3 { display: none !important; }

Ali & Ava: Interracial romance is a balm of northern soul

.imgHideOnJavaScriptDisabled_im3sxh9u4 { display: none !important; }

The Kids by Hannah Lowe review: Poetry that sings from the page

.imgHideOnJavaScriptDisabled_im3sxh9u5 { display: none !important; }

To Paradise by Hanya Yanagihara review: An evocative novel about echoes, cycles, and regrets

.imgHideOnJavaScriptDisabled_im3sxh9u6 { display: none !important; }

Love Marriage by Monica Ali review: A novel of immense brightness

.imgHideOnJavaScriptDisabled_im3sxh9u7 { display: none !important; }

Eight ways Wordle can be improved (and making it more difficult is not one)

.imgHideOnJavaScriptDisabled_im3sxh9u8 { display: none !important; }

Flee proves that we truly are in a golden age of animation

.imgHideOnJavaScriptDisabled_im3sxh9u9 { display: none !important; }

Can Uncharted break the curse of an entire genre?

.imgHideOnJavaScriptDisabled_im3sxh9ua { display: none !important; }

Scream: The genre-defining meta movie refuses to be killed off

.imgHideOnJavaScriptDisabled_im3sxh9ub { display: none !important; }

The French horn maestro who plays using his feet

.imgHideOnJavaScriptDisabled_im3sxh9uc { display: none !important; }

Mass review: Compelling drama faces every parent’s worst nightmare head-on

.imgHideOnJavaScriptDisabled_im3sxh9ud { display: none !important; }

‘We are turning into a corrupt country’: Jeremy Irons and Robert Harris on their new Netflix film

.css-l0mio9{display:none;visibility:hidden;}