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Our Country Friends by Gary Shteyngart review: a contemporary literary hoot

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Skint: the BBC’s new series of monologues are informed by lived experience of poverty

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Stephan Moccio: piano solos with a pop persuasion

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The Imposter by Silvina Ocampo review: A glorious, unexpected joy

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Ali & Ava: Interracial romance is a balm of northern soul

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The Kids by Hannah Lowe review: Poetry that sings from the page

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To Paradise by Hanya Yanagihara review: An evocative novel about echoes, cycles, and regrets

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Love Marriage by Monica Ali review: A novel of immense brightness

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Flee proves that we truly are in a golden age of animation

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Can Uncharted break the curse of an entire genre?

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Evangeline Lilly: ‘If you lined up all the characters I’ve played, it would be hard to identify me’

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Scream: The genre-defining meta movie refuses to be killed off

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The French horn maestro who plays using his feet

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Mass review: Compelling drama faces every parent’s worst nightmare head-on

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‘We are turning into a corrupt country’: Jeremy Irons and Robert Harris on their new Netflix film

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Actor Danielle Deadwyler: ‘The caring Black women do for community is motherhood beyond biology’

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The films you need to see in 2022

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Rebel Dykes: From activism to politics and sex, unheard lesbian stories hit the screen

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Home Alone 2: Lost in New York

Home Alone 2: Lost in New York and its poignant discussion of homelessness

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Books of the Year

The best indie books of the year 2021

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