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You know that unmistakeable James Bond film look? Here’s how it’s created

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The real Q: James Bond special effects guru reveals the secrets to 007’s stunts

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The Great British Bake Off shows there’s still hope for the country

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The Paper Tigers: Kung Fu caper punches above its weight

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Nina Simone’s Gum by Warren Ellis: A delightful diary of Ellis’s musical life and friendships

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Harlem Shuffle by Colson Whitehead: An Ocean’s Eleven meets Ozark heist caper

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Why the Take One Action Film Festival makes essential viewing ahead of COP26

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Herself director Claire Dunne: ‘We need to look at the building blocks of people, not just their houses’

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Book reviews: Something New Under The Sun and The Black Locomotive

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Shorta review: tense foot chases, abrupt shootouts and meaty fistfights

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Reviews: The Liquid Land by Raphaela Edelbauer and No Touching by Ketty Rouf

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Even Laurence Llewelyn-Bowen can’t save the Changing Rooms reboot

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1979 by Val McDermid: A novel as touching as it is gripping

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The Black Locomotive by Rian Hughes: Adventurous and original

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Limbo ‘was a chance to show the world what refugees are really like’

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Samara Joy shows the Great American Songbook still matters

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Oh, for James Martin’s entrancing confidence and fearless freedom

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C+nto & Othered Poems, Joelle Taylor: Navigates private unarticulated moments

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Risky business: WeWork’s rise and fall

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Small Bodies of Water by Nina Mingya Powles: Vividly connected to nature

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