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Channing Tatum was seemingly engineered in a lab to give uncomplicated pleasures to audiences

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This week’s Big TV: Gaslit, Chivalry, Tan France: Beauty and the Bleach, Life After Life and Heartstopper

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The Wonders by Elena Medel review: a gripping portrayal of poverty and powerlessness

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How Anya Taylor-Joy cornered the Complex Female Character market

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Benedetta review: an all-nuns-blazing tale of sex, sinners and unholy sisterhood

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This week’s Big TV picks: Derry Girls, Doctor Who, Muhammad Ali and Why Didn’t They Ask Evans

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5 things we can learn from Freeze the Fear with Wim Hof

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Why classical club night concerts are now the hottest ticket

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Harrow by Joy Williams review: A nihilistic vision of a joyless future

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This week’s Big TV picks: Art That Made Us, Hacks, Slow Horses and The Andy Warhol Diaries

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Stanley Tucci: Searching For Italy – escapism has never looked or tasted so good

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Limbic by Peter Scalpello review: the dark side of queer writing

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The indefinable allure of Tom Burke

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The messy magic of The Beatles and Ben Corrigan’s fascinating podcast

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More polite than passionate: has Bridgerton lost its sparkle?

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Chilean Poet by Alejandro Zambra review: A dazzling jewel from a true original

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Cymande – the most influential band you’ve never heard of

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The directors of Lead Me Home want to bring the film’s homeless stars to the Oscars

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Our Country Friends by Gary Shteyngart review: a contemporary literary hoot

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Skint: the BBC’s new series of monologues are informed by lived experience of poverty

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