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Inside the Climate Crisis Film Festival

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House of Gucci review: A decadent parade of high camp and dodgy accents

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Get Back is The Beatles as they were, not as we’ve been led to believe

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Petite Maman review: ‘Things get a little weird’

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Adele’s 30 is here and she’s belting out the big numbers

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Dante ballet is a fitting tribute on 700th anniversary of his death

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‘Their dogs are a reason for living’: A new film tells the story of homeless people and their pets

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Book reviews: Oh William! and Things I Didn’t Throw Out

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Last Night in Soho review: ‘A bone-close exploration of female trauma’

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Dead Relatives review: Brilliantly atmospheric and relentlessly creepy

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Far From the Light of Heaven review: Wrongfoots the reader at every turn

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Climate change at the movies – a history

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Windswept & Interesting: My Autobiography by Billy Connolly: One of the greatest storytellers

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Tenement Kid by Bobby Gillespie review: Primal Scream star strikes a tangible note of melancholy

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Dear Evan Hansen review: ‘Hard to know what the filmmakers were aiming for’

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How Ridley Road joins the dots between a housing crisis and the rise of the far right

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Bewilderment by Richard Powers: Packs a hell of a punch

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The Jazz is Dead label avoids being a vanity project to create something entirely new

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Venom: Let There Be Carnage is another missed opportunity for a superhero-horror crossover

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Checkout 19 by Claire-Louise Bennett: ‘Unlike anything you’ve read before’

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