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The Painter’s Friend by Howard Cunnell: ‘Too often drifts into the obscure’

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The Ophelia Girls by Jane Healey: A sinewy and enchanting style

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Matt Damon: ‘I always looked forward to being an experienced actor’

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How Alex Lacamoire keeps the beat of Lin-Manuel Miranda’s music

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Matt Damon: ‘Politicians will always stoke the divides between us’

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Limbo star Amir El-Masry: This film fights racism

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Wander star Aaron Eckhart: ‘I should do comedies… it’s probably easier’

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Dream Girl by Laura Lippman: Confusion, trauma and violence

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The Turnout by Megan Abbott: An edgy and unpredictable tale

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Vicky Krieps: Lockdown proved time is our deepest fear

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Riders of Justice film review: An interrogation of cinematic revenge

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Bob Dylan: Shadow Kingdom – review

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Mosley: An engaging documentary that tickles around the rough edges

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The Kominsky Method: a warm but honest portrayal of age

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The Coward: Riotously funny testament to our ability to forgive

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The Mad Women’s Ball examines feminism and hysteria

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True Crime Story by Joseph Knox: Post-modern playfulness

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Ascension by Oliver Harris: Breaking the crime fiction mould

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Kathy Burke on money, wealth and all of life’s fineries

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The Surrogate’s Jeremy Hersh: ‘No one in the film is right or wrong’

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