Home
Review

Review

.imgHideOnJavaScriptDisabled_imbnbu9je { display: none !important; }

Harlem Shuffle by Colson Whitehead: An Ocean’s Eleven meets Ozark heist caper

.imgHideOnJavaScriptDisabled_imbnbu9jf { display: none !important; }

Why the Take One Action Film Festival makes essential viewing ahead of COP26

.imgHideOnJavaScriptDisabled_imbnbu9jg { display: none !important; }

Herself director Claire Dunne: ‘We need to look at the building blocks of people, not just their houses’

.imgHideOnJavaScriptDisabled_imbnbu9jh { display: none !important; }

Respect review: Jennifer Hudson is sensational as Aretha Franklin

.imgHideOnJavaScriptDisabled_imbnbu9ji { display: none !important; }

Book reviews: Something New Under The Sun and The Black Locomotive

.imgHideOnJavaScriptDisabled_imbnbu9jj { display: none !important; }

Shorta review: tense foot chases, abrupt shootouts and meaty fistfights

.imgHideOnJavaScriptDisabled_imbnbu9jk { display: none !important; }

Reviews: The Liquid Land by Raphaela Edelbauer and No Touching by Ketty Rouf

.imgHideOnJavaScriptDisabled_imbnbu9jl { display: none !important; }

Even Laurence Llewelyn-Bowen can’t save the Changing Rooms reboot

.imgHideOnJavaScriptDisabled_imbnbu9jm { display: none !important; }

The Black Locomotive by Rian Hughes: Adventurous and original

.imgHideOnJavaScriptDisabled_imbnbu9jn { display: none !important; }

Limbo ‘was a chance to show the world what refugees are really like’

.imgHideOnJavaScriptDisabled_imbnbu9jo { display: none !important; }

Samara Joy shows the Great American Songbook still matters

.imgHideOnJavaScriptDisabled_imbnbu9jp { display: none !important; }

Borges and Me by Jay Parini: Caper-ish and laugh-out-loud funny

.imgHideOnJavaScriptDisabled_imbnbu9jq { display: none !important; }

Oh, for James Martin’s entrancing confidence and fearless freedom

.imgHideOnJavaScriptDisabled_imbnbu9jr { display: none !important; }

C+nto & Othered Poems, Joelle Taylor: Navigates private unarticulated moments

.imgHideOnJavaScriptDisabled_imbnbu9js { display: none !important; }

Risky business: WeWork’s rise and fall

.imgHideOnJavaScriptDisabled_imbnbu9jt { display: none !important; }

Small Bodies of Water by Nina Mingya Powles: Vividly connected to nature

.imgHideOnJavaScriptDisabled_imbnbu9ju { display: none !important; }

The dark shadow cast by Rainbow’s Zippy

.imgHideOnJavaScriptDisabled_imbnbu9jv { display: none !important; }

The Last Letter from Your Lover review: a solid story with a strong casting

.imgHideOnJavaScriptDisabled_imbnbu9jw { display: none !important; }

Houses Slide: Opera star gets on her bike to tackle climate change

.imgHideOnJavaScriptDisabled_imbnbu9jx { display: none !important; }

The Painter’s Friend by Howard Cunnell: ‘Too often drifts into the obscure’

.css-l0mio9{display:none;visibility:hidden;}