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Dead Relatives review: Brilliantly atmospheric and relentlessly creepy

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Far From the Light of Heaven review: Wrongfoots the reader at every turn

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Climate change at the movies – a history

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Windswept & Interesting: My Autobiography by Billy Connolly: One of the greatest storytellers

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Tenement Kid by Bobby Gillespie review: Primal Scream star strikes a tangible note of melancholy

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Dear Evan Hansen review: ‘Hard to know what the filmmakers were aiming for’

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How Ridley Road joins the dots between a housing crisis and the rise of the far right

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The Book of Form and Emptiness by Ruth Ozeki: A deeply profound novel about human connection

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The Jazz is Dead label avoids being a vanity project to create something entirely new

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Venom: Let There Be Carnage is another missed opportunity for a superhero-horror crossover

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Checkout 19 by Claire-Louise Bennett: ‘Unlike anything you’ve read before’

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Dinner Party: A Tragedy by Sarah Gilmartin: ‘A compulsive narrative drive’

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The best under-the-radar films to see at this year’s London Film Festival

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You know that unmistakeable James Bond film look? Here’s how it’s created

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The real Q: James Bond special effects guru reveals the secrets to 007’s stunts

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The Great British Bake Off shows there’s still hope for the country

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Nina Simone’s Gum by Warren Ellis: A delightful diary of Ellis’s musical life and friendships

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Harlem Shuffle by Colson Whitehead: An Ocean’s Eleven meets Ozark heist caper

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Why the Take One Action Film Festival makes essential viewing ahead of COP26

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Herself director Claire Dunne: ‘We need to look at the building blocks of people, not just their houses’

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