Review
Adele’s 30 is here and she’s belting out the big numbers

Adele’s 30 is here and she’s belting out the big numbers
Dante ballet is a fitting tribute on 700th anniversary of his death

Dante ballet is a fitting tribute on 700th anniversary of his death
‘Their dogs are a reason for living’: A new film tells the story of homeless people and their pets

‘Their dogs are a reason for living’: A new film tells the story of homeless people and their pets
Book reviews: Oh William! and Things I Didn’t Throw Out

Book reviews: Oh William! and Things I Didn’t Throw Out
Spencer review: ‘Just let Princess Diana rest in peace’

Spencer review: ‘Just let Princess Diana rest in peace’
Last Night in Soho review: ‘A bone-close exploration of female trauma’

Last Night in Soho review: ‘A bone-close exploration of female trauma’
Dead Relatives review: Brilliantly atmospheric and relentlessly creepy

Dead Relatives review: Brilliantly atmospheric and relentlessly creepy
Windswept & Interesting: My Autobiography by Billy Connolly: One of the greatest storytellers

Windswept & Interesting: My Autobiography by Billy Connolly: One of the greatest storytellers
Tenement Kid by Bobby Gillespie review: Primal Scream star strikes a tangible note of melancholy

Tenement Kid by Bobby Gillespie review: Primal Scream star strikes a tangible note of melancholy
Dear Evan Hansen review: ‘Hard to know what the filmmakers were aiming for’

Dear Evan Hansen review: ‘Hard to know what the filmmakers were aiming for’
How Ridley Road joins the dots between a housing crisis and the rise of the far right

How Ridley Road joins the dots between a housing crisis and the rise of the far right
The Book of Form and Emptiness by Ruth Ozeki: A deeply profound novel about human connection

The Book of Form and Emptiness by Ruth Ozeki: A deeply profound novel about human connection
Bewilderment by Richard Powers: Packs a hell of a punch

Bewilderment by Richard Powers: Packs a hell of a punch
The Jazz is Dead label avoids being a vanity project to create something entirely new

The Jazz is Dead label avoids being a vanity project to create something entirely new
Checkout 19 by Claire-Louise Bennett: ‘Unlike anything you’ve read before’

Checkout 19 by Claire-Louise Bennett: ‘Unlike anything you’ve read before’
Dinner Party: A Tragedy by Sarah Gilmartin: ‘A compulsive narrative drive’

Dinner Party: A Tragedy by Sarah Gilmartin: ‘A compulsive narrative drive’
The best under-the-radar films to see at this year’s London Film Festival

The best under-the-radar films to see at this year’s London Film Festival
You know that unmistakeable James Bond film look? Here’s how it’s created


