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The Worst Person in the World: A coming-of-age tale with a misleading title

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Cymande – the most influential band you’ve never heard of

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The directors of Lead Me Home want to bring the film’s homeless stars to the Oscars

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Our Country Friends by Gary Shteyngart review: a contemporary literary hoot

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Skint: the BBC’s new series of monologues are informed by lived experience of poverty

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Stephan Moccio: piano solos with a pop persuasion

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The Imposter by Silvina Ocampo review: A glorious, unexpected joy

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Ali & Ava: Interracial romance is a balm of northern soul

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To Paradise by Hanya Yanagihara review: An evocative novel about echoes, cycles, and regrets

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Love Marriage by Monica Ali review: A novel of immense brightness

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Eight ways Wordle can be improved (and making it more difficult is not one)

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Flee proves that we truly are in a golden age of animation

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Can Uncharted break the curse of an entire genre?

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Evangeline Lilly: ‘If you lined up all the characters I’ve played, it would be hard to identify me’

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Scream: The genre-defining meta movie refuses to be killed off

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The French horn maestro who plays using his feet

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‘We are turning into a corrupt country’: Jeremy Irons and Robert Harris on their new Netflix film

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Actor Danielle Deadwyler: ‘The caring Black women do for community is motherhood beyond biology’

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Hollywood mourns Sir Sidney Poitier, ground-breaking Black actor and activist who has died at 94

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The films you need to see in 2022

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