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Dream Girl by Laura Lippman: Confusion, trauma and violence

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Love Island 2021: Awkward, weird and disappointing

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The Turnout by Megan Abbott: An edgy and unpredictable tale

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Vicky Krieps: Lockdown proved time is our deepest fear

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Riders of Justice film review: An interrogation of cinematic revenge

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Bob Dylan: Shadow Kingdom – review

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Mosley: An engaging documentary that tickles around the rough edges

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The Kominsky Method: a warm but honest portrayal of age

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The Mad Women’s Ball examines feminism and hysteria

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Nowhere Special: ‘James Norton’s special performance of repressed emotion’

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True Crime Story by Joseph Knox: Post-modern playfulness

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Ascension by Oliver Harris: Breaking the crime fiction mould

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Kathy Burke on money, wealth and all of life’s fineries

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The Surrogate’s Jeremy Hersh: ‘No one in the film is right or wrong’

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The Hierarchies by Ros Anderson: Asks questions on what it means to be human

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Black Widow ‘would have been lining up in food queues as a child’

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The Night Always Comes by Willy Vlautin: An arrow through the reader’s heart

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Freaky review: A body-swap stabfest with emotional stakes

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Supernova: ‘I don’t think two actors on the planet could have done it better’

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The Great Mistake by Jonathan Lee: Lush and memorable

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