Home
Review

Review

.imgHideOnJavaScriptDisabled_hm9n7lmv0 { display: none !important; }

A Lonely Man by Chris Power: Short story star had more in his locker

.imgHideOnJavaScriptDisabled_hm9n7lmv1 { display: none !important; }

H Is For Happiness: A film with its heart utterly on its sleeve

.imgHideOnJavaScriptDisabled_hm9n7lmv2 { display: none !important; }

The Cut by Chris Brookmyre: Thrills, humour, style and skill

.imgHideOnJavaScriptDisabled_hm9n7lmv3 { display: none !important; }

Hotel Cartagena by Simone Buchholz: A nerve-shredder with heart

.imgHideOnJavaScriptDisabled_hm9n7lmv4 { display: none !important; }

Minari makes America seem like a land of opportunity again

.imgHideOnJavaScriptDisabled_hm9n7lmv5 { display: none !important; }

Creation Stories: As with Oasis, you might find you prefer the early stuff

.imgHideOnJavaScriptDisabled_hm9n7lmv6 { display: none !important; }

Comedians are turning to podcasts to find people to show off to

.imgHideOnJavaScriptDisabled_hm9n7lmv7 { display: none !important; }

SAS: Red Notice is an Andy McNab rollercoaster with some cracks and creaks

.imgHideOnJavaScriptDisabled_hm9n7lmv8 { display: none !important; }

Mother for Dinner by Shalom Auslander: Even more outrageous and funny

.imgHideOnJavaScriptDisabled_hm9n7lmv9 { display: none !important; }

Thin Places by Kerri Ní Dochartaigh: Heady, bright and difficult to pin down

.imgHideOnJavaScriptDisabled_hm9n7lmva { display: none !important; }

Glasgow Film Festival 2021: Slightly slimmed-down and impressive

.imgHideOnJavaScriptDisabled_hm9n7lmvb { display: none !important; }

The Dark and the Wicked review: Another deeply upsetting nerve-jangler

.imgHideOnJavaScriptDisabled_hm9n7lmvc { display: none !important; }

No One is Talking About This by Patricia Lockwood: Restless and rare talent

.imgHideOnJavaScriptDisabled_hm9n7lmvd { display: none !important; }

The Owners: Horror that doesn’t hold back

.imgHideOnJavaScriptDisabled_hm9n7lmve { display: none !important; }

Sophia Loren: ‘Little by little, you see the light at the end of the tunnel’

.imgHideOnJavaScriptDisabled_hm9n7lmvf { display: none !important; }

Bessie Smith by Jackie Kay: Contemporary and urgent 25 years on

.imgHideOnJavaScriptDisabled_hm9n7lmvg { display: none !important; }

We Are Not in the World by Connor O’Callaghan: Prose to be savoured

.imgHideOnJavaScriptDisabled_hm9n7lmvh { display: none !important; }

Paul Greengrass on News of the World: ‘Storytelling is under direct attack’

.imgHideOnJavaScriptDisabled_hm9n7lmvi { display: none !important; }

Dostoevsky in Love by Alex Christofi: There isn’t a biography quite like it

.imgHideOnJavaScriptDisabled_hm9n7lmvj { display: none !important; }

Luster by Raven Leilani: Funny, frank, intelligent and extremely readable

.css-l0mio9{display:none;visibility:hidden;}