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Wicked Enchantment by Wanda Coleman: Poems that race from line to line

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The Father review: Unsettling, insidious and genuinely scary

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Keanu Reeves: Saving the world with rock’n’roll… and kindness

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The best LGBTQ+ documentaries ever made

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Fargo taps into our deepest fears, and not just because of the ad breaks

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The Final Revival of Opal and Nev: An exploration of feminist agency

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Dream Horse review: straightforward, unfussy but full of charm

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Black Buck by Mateo Askaripour: fast-paced, energetic and confident

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Rare Beasts review: A memorably bracing experience

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Cinema is back with a bang – and they won’t let you forget it

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Sons of Kemet’s new album redefines what it means to struggle for Black power

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How to Read Numbers by Tom Chivers and David Chivers: Light and fun

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Economics In One Virus by Ryan A Bourne: A fascinating argument

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Adam Buxton: A host clearly fascinated by his guests

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Hot Stew by Fiona Mozley: A novel with something to say, but what?

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Hummingbird Salamander by Jeff VanderMeer: Utterly convincing

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This is what it’s really like being a nomad for 12 years

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Nomadland review: Deeply moving and often hauntingly beautiful

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The orchestra determined to thrive in a Covid world

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Milk Blood Heat by Dantiel W Moniz: A book full of light

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