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Limbo star Amir El-Masry: This film fights racism

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Wander star Aaron Eckhart: ‘I should do comedies… it’s probably easier’

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Dream Girl by Laura Lippman: Confusion, trauma and violence

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Love Island 2021: Awkward, weird and disappointing

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The Turnout by Megan Abbott: An edgy and unpredictable tale

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Vicky Krieps: Lockdown proved time is our deepest fear

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Riders of Justice film review: An interrogation of cinematic revenge

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Bob Dylan: Shadow Kingdom – review

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The Kominsky Method: a warm but honest portrayal of age

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The Coward: Riotously funny testament to our ability to forgive

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The Mad Women’s Ball examines feminism and hysteria

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Nowhere Special: ‘James Norton’s special performance of repressed emotion’

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True Crime Story by Joseph Knox: Post-modern playfulness

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Ascension by Oliver Harris: Breaking the crime fiction mould

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Kathy Burke on money, wealth and all of life’s fineries

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The Surrogate’s Jeremy Hersh: ‘No one in the film is right or wrong’

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Black Widow ‘would have been lining up in food queues as a child’

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BBC’s I’ll Get This: Just a TV version of weak stocking-filler trivia games

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The Night Always Comes by Willy Vlautin: An arrow through the reader’s heart

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Freaky review: A body-swap stabfest with emotional stakes

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