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Mother for Dinner by Shalom Auslander: Even more outrageous and funny

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Thin Places by Kerri Ní Dochartaigh: Heady, bright and difficult to pin down

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Glasgow Film Festival 2021: Slightly slimmed-down and impressive

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The Dark and the Wicked review: Another deeply upsetting nerve-jangler

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No One is Talking About This by Patricia Lockwood: Restless and rare talent

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The Owners: Horror that doesn’t hold back

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Sophia Loren: ‘Little by little, you see the light at the end of the tunnel’

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Bessie Smith by Jackie Kay: Contemporary and urgent 25 years on

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We Are Not in the World by Connor O’Callaghan: Prose to be savoured

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Paul Greengrass on News of the World: ‘Storytelling is under direct attack’

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Dostoevsky in Love by Alex Christofi: There isn’t a biography quite like it

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Luster by Raven Leilani: Funny, frank, intelligent and extremely readable

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‘Bliss’ review: A film that takes a different approach

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‘Rams’ review: Funny and thoughtful in equal measure

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A River Called Time by Courttia Newland: A dramatic and satisfying finale

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Remote Control by Nnedi Okorafor: Richer than books three times as long

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Radio Life by Derek B Miller: A return to form, with knobs on

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Matthew Lewis: ‘For 10 years I’ve been saying, one day you’ll grow up’

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Indie film Concrete Plans summed up both Brexit and Covid-19

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Home Alone guide to a socially isolated Christmas

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