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Palm Springs: Andy Samberg does Groundhog Day in the sunshine

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Songs My Brother Taught Me: A story from the margins of US society

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A Lonely Man by Chris Power: Short story star had more in his locker

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H Is For Happiness: A film with its heart utterly on its sleeve

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The Cut by Chris Brookmyre: Thrills, humour, style and skill

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Hotel Cartagena by Simone Buchholz: A nerve-shredder with heart

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Minari makes America seem like a land of opportunity again

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Creation Stories: As with Oasis, you might find you prefer the early stuff

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SAS: Red Notice is an Andy McNab rollercoaster with some cracks and creaks

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The Library of the Dead by TL Huchu: Inventive and entertaining

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Mother for Dinner by Shalom Auslander: Even more outrageous and funny

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Thin Places by Kerri Ní Dochartaigh: Heady, bright and difficult to pin down

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Glasgow Film Festival 2021: Slightly slimmed-down and impressive

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The Dark and the Wicked review: Another deeply upsetting nerve-jangler

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No One is Talking About This by Patricia Lockwood: Restless and rare talent

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The Owners: Horror that doesn’t hold back

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Bessie Smith by Jackie Kay: Contemporary and urgent 25 years on

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WandaVision is not for everyone, but god I loved it

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We Are Not in the World by Connor O’Callaghan: Prose to be savoured

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Paul Greengrass on News of the World: ‘Storytelling is under direct attack’

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