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Netflix’s Hit Man is what we used to call ‘a good time at the movies’ – but times have changed

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All Fours by Miranda July review – a shockingly original voice and a story for our times

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The Horse by Willy Vlautin review – funny, shocking and heartfelt contender for book of the year

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The Great White Bard by Farah Karim-Cooper review – a new way of seeing Shakespeare

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Parasol Against the Axe by Helen Oyeyemi review – electrifying, experimental writing

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The Hearing Test by Eliza Barry Callahan review – a droll insight into a year of loss

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The Garfield Movie review – we’re not feline the tubby orange tabby’s full CGI makeover

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The Other Valley by Scott Alexander Howard review – the moral conundrums of coming of age

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These Letters End in Tears by Musih Tedji Xaviere review – love in the face of hate

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Heaven by Emerson Whitney review – a memoir with fearsome grace

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Night Train to Odesa by Jen Stout review – finding defiant beauty amid devastation of war

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Headshot by Rita Bullwinkel review – a depth of feeling like a punch to the guts

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Clear by Carys Davies review – a wonderful, poetic reminder that no man is an island

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Come and Get It by Kiley Reid review – the alienation of campus life

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My Heavenly Favourite by Lucas Rijneveld review – a nightmarish vision of abuse

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Origin review – a genuine, often unsettling cinema outlier

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Behind Oscar-tipped doc Four Daughters: A story of radicalisation, family and loss

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The Tusks of Extinction by Ray Nayler review – the mammoth risks of playing God with nature

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Your Utopia by Bora Chung review – finding poignancy in speculative fiction

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Family Politics by John O’Farrell review – a plea to engage with those whose views we abhor

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