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The Eyes Are The Best Part by Monika Kim review – tension-filled horror debut delivers

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Francis Ford Coppola’s The Conversation is an eerie prediction of our surveillance age

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Scaffolding by Lauren Elkin review – Parisian feminism through the ages

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Kinds of Kindness show it’s not enough to accept alienation under capitalism – we must love it too

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Deliver Me by Elle Nash review – transgressive thrills

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Freakslaw by Jane Flett review – dark comedy set on the edge of the mainstream

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Blur: To The End review – poignant new music film shows a band of brothers reunited

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Why Sasquatch Sunset is so much more than just a gross-out comedy in Chewbacca drag

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Netflix’s Hit Man is what we used to call ‘a good time at the movies’ – but times have changed

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All Fours by Miranda July review – a shockingly original voice and a story for our times

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The Horse by Willy Vlautin review – funny, shocking and heartfelt contender for book of the year

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The Great White Bard by Farah Karim-Cooper review – a new way of seeing Shakespeare

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Parasol Against the Axe by Helen Oyeyemi review – electrifying, experimental writing

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The Hearing Test by Eliza Barry Callahan review – a droll insight into a year of loss

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The Garfield Movie review – we’re not feline the tubby orange tabby’s full CGI makeover

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The Other Valley by Scott Alexander Howard review – the moral conundrums of coming of age

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These Letters End in Tears by Musih Tedji Xaviere review – love in the face of hate

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Heaven by Emerson Whitney review – a memoir with fearsome grace

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Night Train to Odesa by Jen Stout review – finding defiant beauty amid devastation of war

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Headshot by Rita Bullwinkel review – a depth of feeling like a punch to the guts

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