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Pulp at TRNSMT, Glasgow: Class anger made transcendent

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Okay Days by Jenny Mustard review: Romance as though Sally Rooney didn’t happen

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Bellies by Nicola Dinan review: Compelling and compassionate trans romance

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Tony Allen: Inventor of Afrobeat was both technically remarkable and irresistibly funky

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Is Mission: Impossible on Cruise control?

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Lákíríboto by Ayodele Olofintuade review: Amidst all the death, we celebrate life

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A Little Luck by Claudia Piñeiro review: Moments of hope in the dark

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Punch a Nazi: The morally certain joy of Indiana Jones, from Raiders to the Dial of Destiny

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Chrysalis review: A fascinating look at narcissism in the modern world

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Termush review: A rediscovered dystopian masterpiece

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Peter Crouch: ‘It felt like the whole world was ridiculing me’

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A Dispatch from ’24 Hour Wes Fest’, or The Peculiar Oddities of a Wes Anderson Cinematic Endurance Test

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The Wicker Man at 50: Woozy, semi-surreal and hugely influential

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This Is Not Miami by Fernanda Melchor review: Tragic happenings become urban legend

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Patterflash by Adam Lowe review: Acrobatic and winking poems of queer life

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Banksy: Cut & Run is the closest we’ve come to seeing behind his mask

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A Flat Place by Noreen Masud review: Finding a sense of self in landscapes

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Can Spider-Man: Across the Spider-Verse save us from multiverse fatigue?

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Big Swiss review: For once, a genuinely hilarious comic novel

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Problematic art

Monsters review: Do we separate the art from the artist, or boycott the work entirely?

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