Home
Review

Review

.imgHideOnJavaScriptDisabled_imi9nbmq4 { display: none !important; }

After the pandemic years, audience are more appreciative of intimate musical experiences than ever

.imgHideOnJavaScriptDisabled_imi9nbmq5 { display: none !important; }

Netflix’s Hit Man is what we used to call ‘a good time at the movies’ – but times have changed

.imgHideOnJavaScriptDisabled_imi9nbmq6 { display: none !important; }

All Fours by Miranda July review – a shockingly original voice and a story for our times

.imgHideOnJavaScriptDisabled_imi9nbmq7 { display: none !important; }

The Horse by Willy Vlautin review – funny, shocking and heartfelt contender for book of the year

.imgHideOnJavaScriptDisabled_imi9nbmq8 { display: none !important; }

The Great White Bard by Farah Karim-Cooper review – a new way of seeing Shakespeare

.imgHideOnJavaScriptDisabled_imi9nbmq9 { display: none !important; }

Parasol Against the Axe by Helen Oyeyemi review – electrifying, experimental writing

.imgHideOnJavaScriptDisabled_imi9nbmqa { display: none !important; }

The Hearing Test by Eliza Barry Callahan review – a droll insight into a year of loss

.imgHideOnJavaScriptDisabled_imi9nbmqb { display: none !important; }

The Garfield Movie review – we’re not feline the tubby orange tabby’s full CGI makeover

.imgHideOnJavaScriptDisabled_imi9nbmqc { display: none !important; }

Fragile Animals by Genevieve Jagger review – a captivating and original gothic novel

.imgHideOnJavaScriptDisabled_imi9nbmqd { display: none !important; }

These Letters End in Tears by Musih Tedji Xaviere review – love in the face of hate

.imgHideOnJavaScriptDisabled_imi9nbmqe { display: none !important; }

Heaven by Emerson Whitney review – a memoir with fearsome grace

.imgHideOnJavaScriptDisabled_imi9nbmqf { display: none !important; }

Night Train to Odesa by Jen Stout review – finding defiant beauty amid devastation of war

.imgHideOnJavaScriptDisabled_imi9nbmqg { display: none !important; }

Headshot by Rita Bullwinkel review – a depth of feeling like a punch to the guts

.imgHideOnJavaScriptDisabled_imi9nbmqh { display: none !important; }

Clear by Carys Davies review – a wonderful, poetic reminder that no man is an island

.imgHideOnJavaScriptDisabled_imi9nbmqi { display: none !important; }

Come and Get It by Kiley Reid review – the alienation of campus life

.imgHideOnJavaScriptDisabled_imi9nbmqj { display: none !important; }

My Heavenly Favourite by Lucas Rijneveld review – a nightmarish vision of abuse

.imgHideOnJavaScriptDisabled_imi9nbmqk { display: none !important; }

Hamilton tour review – an urgent production as America needs heroes to rise up

.imgHideOnJavaScriptDisabled_imi9nbmql { display: none !important; }

Behind Oscar-tipped doc Four Daughters: A story of radicalisation, family and loss

.imgHideOnJavaScriptDisabled_imi9nbmqm { display: none !important; }

The Tusks of Extinction by Ray Nayler review – the mammoth risks of playing God with nature

.imgHideOnJavaScriptDisabled_imi9nbmqn { display: none !important; }

Your Utopia by Bora Chung review – finding poignancy in speculative fiction

.css-l0mio9{display:none;visibility:hidden;}