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Yule Island by Johana Gustawsson review – gritty, scary, funny and full of heart crime writing

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Gaslight by Femi Kayode review – a powerful evocation of today’s Nigeria

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How Star Wars Holiday Special became more powerful than George Lucas could possibly imagine

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Deck the halls with hits and follies: The greatest Christmas albums of 2023, ranked

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The Coiled Serpent by Camilla Grudova review – unsettling short stories of grimy austerity

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Bad Taste by Nathalie Olah review – relentlessly anti-capitalist

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Napoleon review – a man at war with the world and himself

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Queens of the Stone Age review: Saving lives with joyous mayhem

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Split Tooth by Tanya Tagaq review – coming of age in the Tundra

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Now and Then: is it time for Beatles fanboys to finally let it be?

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Saltburn review – Barry Keoghan steals the show

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The Woman in Me review – Britney Spears finally sets the record straight

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Karma by Boy George review – Culture Club singer settles scores

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As ABBA Voyage sails on – who’s still bringing in the money, money, money?

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From Our Own Fire by William Letford review – hilarious and thought-provoking in equal measure

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Gunflower by Laura Jean McKay review – a work of rare depth and skill

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Lord Jim at Home by Dinah Brooke review – a perfectly timed comeback

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Typist Artist Pirate King review – a warm-hearted, clear-eyed tribute to a neglected artist

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Retribution review – another Liam Neeson action vehicle fresh from the production line

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Alan Partridge: Big Beacon review – pure, undiluted Partridge

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