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How Our Yorkshire Farm became essential lockdown viewing

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Bridgerton’s Nicola Coughlan: “Hope felt like a foreign feeling for so long”

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Can Christmas TV really comfort us after 2020?

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Daisy Edgar-Jones on the ‘topsy-turvy’ impact of Normal People

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Tracy-Ann Oberman’s new drama tells the true story behind a Hollywood classic

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Daisy Edgar-Jones reveals what it was like to become a star during lockdown

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Small Axe has become a unique cultural event for Black Britain

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Coronation Street at 60: How TV’s longest-running soap shifted public debate

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Nick Frost: We want the horror to be frightening and the comedy to be funny

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Master The Big Issue task set by Taskmaster’s Alex Horne

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Hayley Squires: ‘This country has a class problem. Always has, always will’

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Why watching Selling Sunset is entering a house of fun

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Fear City is an offering on Netflix you can’t refuse

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David Tennant on ‘Des’: This is about a failure of society

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Writer Luke Neal: watch ‘Des’ with the victims, not Dennis Nilsen, in mind

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Luke Treadaway: “I’m there for James. He’s showed such strength”

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Creature Comforts? Samuel West on the politics of All Creatures Great & Small

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Why Terrace House is televisual equivalent of a mindfulness jigsaw

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Past and prescient: The Plot Against America

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Celebrity Gogglebox is a real box of delights

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