Film

.imgHideOnJavaScriptDisabled_im9ymqiqp { display: none !important; }

How Sinéad O’Connor risked it all to speak truth to power – and inspired a new generation

.imgHideOnJavaScriptDisabled_im9ymqiqq { display: none !important; }

Melissa Barrera: ‘Carmen represents rebellion’

.imgHideOnJavaScriptDisabled_im9ymqiqr { display: none !important; }

Kalvin Phillips: ‘This generation of players can inspire young people’

.imgHideOnJavaScriptDisabled_im9ymqiqs { display: none !important; }

Does Mission: Impossible prove Hollywood has forgotten how to end a movie?

.imgHideOnJavaScriptDisabled_im9ymqiqt { display: none !important; }

Is Mission: Impossible on Cruise control?

.imgHideOnJavaScriptDisabled_im9ymqiqu { display: none !important; }

An Elemental problem at the heart of Pixar

.imgHideOnJavaScriptDisabled_im9ymqiqv { display: none !important; }

John Rhys-Davies: ‘We learn from our exposure to fear’

.imgHideOnJavaScriptDisabled_im9ymqiqw { display: none !important; }

Punch a Nazi: The morally certain joy of Indiana Jones, from Raiders to the Dial of Destiny

.imgHideOnJavaScriptDisabled_im9ymqiqx { display: none !important; }

Asteroid City is a perfectly timed meditation on grief

.imgHideOnJavaScriptDisabled_im9ymqiqy { display: none !important; }

A Dispatch from ’24 Hour Wes Fest’, or The Peculiar Oddities of a Wes Anderson Cinematic Endurance Test

.imgHideOnJavaScriptDisabled_im9ymqiqz { display: none !important; }

The Wicker Man at 50: Woozy, semi-surreal and hugely influential

.imgHideOnJavaScriptDisabled_im9ymqir0 { display: none !important; }

Glenda Jackson defied expectations to succeed in acting and politics

.imgHideOnJavaScriptDisabled_im9ymqir1 { display: none !important; }

Jayde Adams on how Take That movie Greatest Days captures the ‘intensity of fandom’

.imgHideOnJavaScriptDisabled_im9ymqir2 { display: none !important; }

The evolution of Mean Girls on screen… from Heathers to Sex Education

.imgHideOnJavaScriptDisabled_im9ymqir3 { display: none !important; }

Chevalier: Kelvin Harrison Jr on being a ‘soldier’ for overlooked Black history

.imgHideOnJavaScriptDisabled_im9ymqir4 { display: none !important; }

The Little Mermaid modernises the story by going back to the 1837 original, says director Rob Marshall

.imgHideOnJavaScriptDisabled_im9ymqir5 { display: none !important; }

Sydney Sweeney on the Reality of life as a whistleblower

.imgHideOnJavaScriptDisabled_im9ymqir6 { display: none !important; }

The Little Mermaid songwriter Alan Menken explains how to make a Disney classic

.imgHideOnJavaScriptDisabled_im9ymqir7 { display: none !important; }

Killers of the Flower Moon: In defence of Scorsese and long runtimes

.imgHideOnJavaScriptDisabled_im9ymqir8 { display: none !important; }

Fast X: Everything you need to know before the tenth Fast and Furious

.css-l0mio9{display:none;visibility:hidden;}