Film

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I’m Still Here director Walter Salles on the tragedy he never forgot: ‘I felt very much lost’

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Clara Amfo: ‘You will never lose learning about how somebody else lives differently to you’

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This bizarre tale of a snail-obsessed misfit might be the unlikely hit of the Oscars

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From Star Wars to David Lynch: How my obsession with obscure 80s films rewired my tiny brain

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The Seed of the Sacred Fig: Inside the Iranian film that a brave cast and crew risked everything for

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The Brutalist director Brady Corbet: ‘This film will, unfortunately, never not be relevant’

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Saturday Night captures the energised rush of an US institution

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Hard Truths director Mike Leigh: ‘I make films for audiences to see, not for awards’

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Swipe right on this trio of films from female directors on women and love

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A Complete Unknown director James Mangold on why Bob Dylan is proof you should always meet your heroes

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William Tell director Nick Hamm on why the apple scene is so relevant today: ‘It cuts to the core’

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Superheroes, sinners and sequels: The ultimate guide to the most anticipated films of 2025

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Nickel Boys star Aunjanue Ellis-Taylor: ‘Black women’s tears are exploited’

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How can Netflix top sexy snowman caper Hot Frosty?

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Rom-com master Richard Curtis on Christmas, Love Actually and criticism: ‘You change with the times’

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Grand Theft Hamlet: Why these unemployed actors staged a Shakespeare play inside a video game

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Nightbitch director Marielle Heller: ‘I’m trying to normalise the messy side of menstruation’

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These children are going blind – so their parents gave them memories to last a lifetime

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Malala Yousafzai on taking on the Taliban and why ‘storytelling is the soul of activism’

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Wicked: The musical reimagining of The Wizard of Oz shows a way to reclaim the American dream

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