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Amid austerity and poverty, The Specials are back when we need them the most

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Music radio needs more of a human touch – like garden shed DJ Deke Duncan

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Street Art: Fuad’s geometric canvases are straight from the imagination

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Kill and Ted – how did curling up with a good murder doc become comforting?

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‘If Beale Street Could Talk’ review – unfairly eclipsed by ‘Moonlight’

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Guz Khan: ‘Man Like Mobeen’ creator, rising comedy star, working class hero

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How the USSR’s identical housing blocks reflected each state’s own identity

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Miles Jupp: ‘My teenage self would be impressed I’ve met Michael Atherton’

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Kwame Kwei-Armah: ‘I would live in fear of being stabbed by skinheads’

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Street Art: Christie Cassisa’s self-portrait captures the sunset’s light

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A new wave of contemporary and accessible opera is hitting all the high notes

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French drama ‘Call My Agent!’ is a more human take on the showbiz hustle

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‘Can You Ever Forgive Me?’ review – toxic twins well worth their Oscar nods

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More Specials! Buy this week’s mag for exclusive AR video of The Specials

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Kids will work on their vocabulary with shoe-fitting staff

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Terry Hall: success of Ghost Town made me quit The Specials

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Paul McCartney and Alfie Boe help musician Rachel Fuller honour lost pets

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Kwame Kwei-Armah explains why he changed his name

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‘Injustice is timeless’: The Specials talk enduring politics in music

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Revisiting Ghost Town: Watch our behind the scenes video with The Specials

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