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Benny Andersson: “I have no idea why Abba’s music is still so popular”

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U2 lay down tracks on Berlin subway

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Human Flow, review – Ai Weiwei’s refugee crisis doc is necessary viewing

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From Game of Thrones to 24 Hours in A&E – 7 NSFK watches for your TV me-time

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U2: Songs of Experience, review – more self-reference and sub-boyband anthems

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Horatio Clare, Icebreaker; Javier Cercas, The Imposter

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Knowing Me, Knowing EU: ABBA’s Benny Andersson reveals his Brexit sorrow

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Keane’s Tom Chaplin busks for The Big Issue in London, Birmingham & Glasgow

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Have violin, will travel – on flying with instruments, and Christmas concerts

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The Future Bookshelf: Hachette seeks more diversity in publishing

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Move over Jesus – Nigella is the only religion that matters at Christmas

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Happy End, review – a dark and masterly portrait of family dysfunction

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Places In the Darkness, Chris Brookmyre; What’s Next, Jim Al-Khalili

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Alexander Armstrong: All Christmas music is valid – even The Wombles!

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Adam Hills: “There’s something not right about single-sex schools”

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Niall Ransome: “FCUK’D is a play about a forgotten voice”

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Sam Delaney: don’t let weepy Christmas TV ads dampen your consumptive frenzy

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Put the past behind you – on the Gallaghers’ increasingly pantomime feud

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Manifesto, review – film or high-concept art project? A triumph either way

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Shane Richie v Nick Knowles: Christmas crackers or terrible turkeys?

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