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Problematic art

Monsters review: Do we separate the art from the artist, or boycott the work entirely?

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‘There’s no rules’: Le Tigre bring feminist protest back to the dancefloor

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Succession season four: The best moments, characters, and ending theories from the Big Issue’s writers

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WITCH: Zamrock pioneers still soundtracking toil and trouble

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Rescuing doomed orchids turned me into an outlaw

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Exclusive interview

Paul Simon: ‘Seven Psalms is very much about God. But not always praise’

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Rejoice! Columbo is back (in spirit)

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The Little Mermaid songwriter Alan Menken explains how to make a Disney classic

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Climate protest

Erland Cooper’s slowly thawing call to arms

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Melanie Lynskey: Yellowjackets, zombies, Keanu Reeves and me

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from the archive

Martin Amis: ‘The past gets bigger but the future shrinks’

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Letter to my Younger Self

Suranne Jones: ‘I’d love to tell mum about my son’

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As ‘I, Daniel Blake’ hits the stage, here’s why it’s needed more than ever

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Letter to my Younger Self

Noel Gallagher: ‘I met David Bowie and have no recollection of it’

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Succession eats the rich. Is it time British shows did the same?

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Suranne Jones opens up about her ‘relentless and terrifying’ experiences of bullying

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Sparks: People think we’re weird. We’ve never felt that

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How the ‘Other Renaissance’ shaped the modern world

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Small Worlds by Caleb Azumah Nelson review: A dance between the cracks

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19 Claws and a Black Bird by Agustina Bazterrica review: Bewitching short stories

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