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A Bug’s Life to Billy Elliot: 7 best socialist films to watch this Labour Day bank holiday

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Sophie Marceau: ‘I hope love always stays a mystery’

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This week’s Big TV: Ten Percent, Navalny, Clark and Generation Change

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After the musical Six comes SVN – meet the group redefining girl power in 2022

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Hullraisers proves that Hull is intrinsically funny

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Downton Abbey: A New Era – ‘It’s got such a big heart, this movie’

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Fight Night by Miriam Toews review: The funniest, smartest novel you’ll read this year

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Ben Okri: ‘War taught me as a kid that there is no certainty in this world’

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Channing Tatum was seemingly engineered in a lab to give uncomplicated pleasures to audiences

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Kit Connor: ‘Heartstopper is a love story above all else’

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This week’s Big TV: Gaslit, Chivalry, Tan France: Beauty and the Bleach, Life After Life and Heartstopper

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How Manchester became the UK’s jazz capital

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Ai-Da: Meet the robot artist exhibiting at the Venice Biennale

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Thomasin McKenzie and Sian Clifford compare acting to their new series Life After Life

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The Wonders by Elena Medel review: a gripping portrayal of poverty and powerlessness

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Derry Girls: ‘What Lisa McGee has done is change the path for all Derry girls going forward’

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Peter Mullan: ‘This is a party who single-handedly created food banks. That should be on the collective Tory gravestone’

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How Anya Taylor-Joy cornered the Complex Female Character market

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Jimmy Webb: ‘I came pretty close to the edge of the abyss on a number of occasions’

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Benedetta review: an all-nuns-blazing tale of sex, sinners and unholy sisterhood

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