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How classical music is finally taking Pride in its LGBT+ composers

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Quiet Fires by andriniki mattis review: Realities of living as a transgender Black person in America

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A Flat Place by Noreen Masud review: Finding a sense of self in landscapes

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The Little Mermaid modernises the story by going back to the 1837 original, says director Rob Marshall

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Can Spider-Man: Across the Spider-Verse save us from multiverse fatigue?

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Sophie Ellis-Bextor: Kitchen disco heroine challenges what it means to be a working mum

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The Gallows Pole ‘reflects what the country is going through now’ says Shane Meadows

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Arctic Monkeys team up with Big Issue to produce unique tour programme

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Shirley Collins tells how ‘heartbreaking’ divorce stole her singing voice

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Top 5 books set in Berlin, chosen by Emma Venables

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Big Swiss review: For once, a genuinely hilarious comic novel

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Problematic art

Monsters review: Do we separate the art from the artist, or boycott the work entirely?

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‘There’s no rules’: Le Tigre bring feminist protest back to the dancefloor

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Succession season four: The best moments, characters, and ending theories from the Big Issue’s writers

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WITCH: Zamrock pioneers still soundtracking toil and trouble

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Rescuing doomed orchids turned me into an outlaw

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Rejoice! Columbo is back (in spirit)

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The Little Mermaid songwriter Alan Menken explains how to make a Disney classic

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Primavera Sound tells MPs how UK festivals can fight misogyny and sexual harassment

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Climate protest

Erland Cooper’s slowly thawing call to arms

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