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Life On Mars sequel has ‘a lot of travelling in time and car chases’, John Simm reveals

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How the National Youth Orchestra is levelling the playing field

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The music that made me

Mike Scott of The Waterboys: ‘Taylor Swift made me cry’

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The Contractor review: Mindless title, mindful military thriller

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What did we learn from the new Obi-Wan Kenobi trailer on Star Wars day?

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The scientific reason hate is on the rise

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Our Wives Under the Sea by Julia Armfield review: A mystical thriller with serious depth

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Parminder Nagra on Bend It Like Beckham’s legacy and celebrating birthdays with George Clooney

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A Bug’s Life to Billy Elliot: 7 best socialist films to watch this Labour Day bank holiday

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Sophie Marceau: ‘I hope love always stays a mystery’

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This week’s Big TV: Ten Percent, Navalny, Clark and Generation Change

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After the musical Six comes SVN – meet the group redefining girl power in 2022

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Hullraisers proves that Hull is intrinsically funny

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Downton Abbey: A New Era – ‘It’s got such a big heart, this movie’

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Fight Night by Miriam Toews review: The funniest, smartest novel you’ll read this year

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Ben Okri: ‘War taught me as a kid that there is no certainty in this world’

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Channing Tatum was seemingly engineered in a lab to give uncomplicated pleasures to audiences

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Kit Connor: ‘Heartstopper is a love story above all else’

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This week’s Big TV: Gaslit, Chivalry, Tan France: Beauty and the Bleach, Life After Life and Heartstopper

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How Manchester became the UK’s jazz capital

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