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Ai-Da: Meet the robot artist exhibiting at the Venice Biennale

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Thomasin McKenzie and Sian Clifford compare acting to their new series Life After Life

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The Wonders by Elena Medel review: a gripping portrayal of poverty and powerlessness

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Derry Girls: ‘What Lisa McGee has done is change the path for all Derry girls going forward’

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Why we need to talk about Anatomy of a Scandal according to Michelle Dockery and Naomi Scott

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Peter Mullan: ‘This is a party who single-handedly created food banks. That should be on the collective Tory gravestone’

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How Anya Taylor-Joy cornered the Complex Female Character market

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Jimmy Webb: ‘I came pretty close to the edge of the abyss on a number of occasions’

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Anatomy of a Scandal

Sienna Miller: ‘This is the right time for a show like Anatomy of a Scandal’

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Reggae has become an international language, synonymous with peace, love and justice

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Call Me: Johnny Marr in conversation with Debbie Harry and Chris Stein

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Derry Girls: ‘We did the last series for the fans. Our major ambition is to say goodbye to these characters in the way that they deserved’

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This week’s Big TV picks: Derry Girls, Doctor Who, Muhammad Ali and Why Didn’t They Ask Evans

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5 things we can learn from Freeze the Fear with Wim Hof

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JJ Chalmers: ‘In some ways, it’s like I was born again after Afghanistan’

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Bertie Carvel on playing Donald Trump: ‘It’s going to be a huge success. I feel confident saying that to you.’

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Why classical club night concerts are now the hottest ticket

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Paddy Considine: ‘I feel like my life is a series of beautiful interventions’

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Is It Cake? on Netflix is perfect for frazzled, post-pandemic jelly-brains

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Harrow by Joy Williams review: A nihilistic vision of a joyless future

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