Theatre
Brassic FM: How 90s rave crackdowns foreshadowed attacks on our right to protest
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Brassic FM: How 90s rave crackdowns foreshadowed attacks on our right to protest
This ambitious multi-location production of The Odyssey has created community theatre on the grandest scale
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This ambitious multi-location production of The Odyssey has created community theatre on the grandest scale
‘I exist as two people’: Peyvand Sadeghian lays bare the politics of identity
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‘I exist as two people’: Peyvand Sadeghian lays bare the politics of identity
The story of the world’s first drag ABBA tribute band
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The story of the world’s first drag ABBA tribute band
‘I criticise Israel because I love it, not because I hate it’
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‘I criticise Israel because I love it, not because I hate it’
Harold Shipman murdered my grandmother. Now I’m playing him onstage
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Harold Shipman murdered my grandmother. Now I’m playing him onstage
Grenfell: in the words of survivors – ‘We want this play to sit alongside the campaign for justice’
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Grenfell: in the words of survivors – ‘We want this play to sit alongside the campaign for justice’
Rocky Horror at 50: ‘A place for the marginalised’
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Rocky Horror at 50: ‘A place for the marginalised’
As ‘I, Daniel Blake’ hits the stage, here’s why it’s needed more than ever
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As ‘I, Daniel Blake’ hits the stage, here’s why it’s needed more than ever
Dixon and Daughters: Vital National Theatre production shows how trauma can echo through generations of women
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Dixon and Daughters: Vital National Theatre production shows how trauma can echo through generations of women
Richard O’Brien: The Rocky Horror Show at 50 is a ‘rainbow event’
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Richard O’Brien: The Rocky Horror Show at 50 is a ‘rainbow event’
Clean Break: A theatre company for women in the criminal justice system
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Clean Break: A theatre company for women in the criminal justice system
A working class community’s fight to be seen for who they are… through theatre, bingo and a good feed
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A working class community’s fight to be seen for who they are… through theatre, bingo and a good feed
James Norton: ‘A Little Life is the scariest thing I’ve ever done’
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James Norton: ‘A Little Life is the scariest thing I’ve ever done’
The Great British Bake Off Musical review: Showstopper or soggy bottom?
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The Great British Bake Off Musical review: Showstopper or soggy bottom?
Daniel Mays: ‘I had a burning desire to be noticed’
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Daniel Mays: ‘I had a burning desire to be noticed’
Meet the young, care-experienced theatre-makers breaking stereotypes
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Meet the young, care-experienced theatre-makers breaking stereotypes
Travis Alabanza: ‘If I can make an audience laugh then I can make them think’
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Travis Alabanza: ‘If I can make an audience laugh then I can make them think’
‘The system isn’t an accident’: How a playwright is forcing us to ask questions about the hostile environment
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