I like the French. I like their food, I like their climate, particularly further south, and, at the risk of pushing a thin line that bumps into clichéd national characteristics, I like their attitude. You’ve got to hand it to the French – whatever happens, they’ll be French about it. In the teeth of any storm, as any crisis builds, or anything that is being said, they’ll shrug and move on in their own inexorable way. Or park a load of tractors to prevent access to a major city.
The Paris Olympics closing ceremony saw them build things around the performance of Phoenix, a band with limited international appeal, who peaked over a decade ago and who have songs that are not bothered by the idea of an anthem. Not French enough? How about the addition of Phoenix’s more successful contemporaries Air, performing Playground Love, a muted piece of polite jazz electronica that was written for The Virgin Suicides, a physiologically damaging film about sisters living in an overly protected manner away from society, and their deaths.
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Want a bit more? Top it with a big torch-song version of My Way. Take that, shiny LA 2028!
Aside from the ending being gloriously contrary, a recurring motif at that closing event was that things weren’t over yet, that it was just a pause until the Paralympics could begin at the end of August. Which are very nice words, but the reality is that the Paralympics play second fiddle. The competitors are less well known and less fêted, the venue attendance numbers are smaller and TV viewing is way down.
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Which is the wrong way round. It is a remarkable event with unique sports, frequently at a whole other level. Watch wheelchair rugby once and you’ll be hooked. It wasn’t called murderball in its early days because it’s for the fainthearted.