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REVIEW: Chris Morris is back with scabrous comedy The Day Shall Come

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After the yellow brick road: Renée Zellweger plays a fading icon in Judy

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Big Issue vendor Lavinia has starring role at Wales Film Festival

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The sky’s the limit for Brad Pitt in Ad Astra

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The Last Tree director Shola Amoo: “This country is in an identity crisis”

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‘People always look to escape in difficult times’ say Downton Abbey stars

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Henry Cavill’s a super policeman in new film Night Hunter

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It (Chapter Two) isn’t all that

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In Pain and Glory, Pedro Almodóvar decides to send himself up – or does he?

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Kristen Stewart’s performance in JT LeRoy is no hoax

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Blinded by the Light review: feelgood memoir hit by current reality

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Balance, Not Symmetry review: Biffy Clyro’s transportive heightened reality

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Twin Peaks director David Lynch: ‘The word home… it’s a beautiful word’

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Spider-Man: Far From Home is losing the thread

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Brightburn review: Superhero horror fails to take flight

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To infinity… but what’s actually beyond?

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Diego Maradona review: A fascinating glimpse into the enigma of Maradona

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What/If review: So truly, hilariously, joyfully bad that it’s kind of good

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The Italian Job writer would be ‘horrified by the likes of Nigel Farage’

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‘Gloria Bell’ review – An authentic remake of the Chilean classic

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