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‘Can You Ever Forgive Me?’ review – toxic twins well worth their Oscar nods

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‘Vice’ review – enthusiastically disrespectful biopic of tricky Dick Cheney

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‘Mary Queen of Scots’ – brilliantly cast but poorly executed period drama

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Spider-Man: Far From Home shows Spider-Man is still fighting for the homeless

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Laughs on tap: ‘Stan & Ollie’ proves Steve Coogan’s certainly no lightweight

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Yo ho ho how about some more exciting film scheduling at Christmas please?

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Why is the best part of ‘The Muppet Christmas Carol’ still missing?

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There’s more to Christmas than It’s A Wonderful Life, Die Hard and Home Alone

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‘Three Identical Strangers’ – is the future already written in our genes?

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Andrea Riseborough: We’re at the turning point for female oppression

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In a world of fake news, what happens to satire?

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‘The Girl In The Spider’s Web’ – Lisbeth Salander reloaded for troubled times

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Tim Minchin: “Comedians don’t want to be trying to topple a despot”

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Bold, arresting, difficult – Luca Guadagnino’s ‘Suspiria’ is a remake to fear

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‘Outlaw King’ is a chaotic, horrific spectacle seeping with Scottish beauty

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In praise of Mark Kermode – the film critic whose voice you can always trust

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The ‘Bad Boy of Ballet’ Sergei Polunin has finally found his freedom

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‘Peterloo’ highlights a shamefully overlooked event in British history

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Jamie Lee Curtis is back for ‘Halloween’, so how about a ‘Blue Steel’ sequel?

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John Carpenter’s satirical horror ‘They Live’ looks scarily prescient today

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