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What/If review: So truly, hilariously, joyfully bad that it’s kind of good

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The Italian Job writer would be ‘horrified by the likes of Nigel Farage’

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‘Gloria Bell’ review – An authentic remake of the Chilean classic

‘Booksmart’ breathes energetic new life into the rites-of-passage teen comedy

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Patricia Arquette: ‘Women’s rights are being rolled back. Keep fighting’

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‘In the Realm of Perfection’ review – A fascinating dissection of filmmaking

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Beats review: Pills, thrills and belly laughs with a shot of nostalgia

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Romance, racism and Nazis – Amma Asante on her film ‘Where Hands Touch’

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On The Rock’s ‘Skyscraper’ and paunchy middle-aged dad heroism fantasies

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‘Eighth Grade’ – Bo Burnham’s tale of teenage clicks gets the thumbs-up emoji

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Neil Jordan: ‘Things can go insane without you knowing how, look at Brexit’

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‘Dragged Across Concrete’: Completely robbed by this punishing heist flick

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Oscar Isaac says ‘Triple Frontier’ gave him a taste for becoming a director

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‘Wild Rose’ review – Jessie Buckley blossoms in winning British comedy-drama

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‘The Sisters Brothers’ review – strong, silent gunslingers need not apply

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Kiefer Sutherland: ‘I cried to my dad. I didn’t know he was so important’

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Paul Laverty: Tell the story of Yuli in English? Over our dead bodies

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Ralph Fiennes: ‘Don’t lie, don’t deceive. Do your best not to hurt people’

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‘Minding The Gap’ is a candidly moving document of real young lives

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‘Ben is Back’ review – opioid addiction turned into suspenseful thriller

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