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Aaron Paul: “I try to look at the hopeful side of things”

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Sharon Horgan: “I cried at the end. But I am a bit of a crier”

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Keira Knightley smashes the patriarchy in Misbehaviour

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Coronavirus, James Bond and the challenge for the movie industry

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Toni Morrison’s remarkable life gets the film tribute it so richly deserves

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Sir Steve McQueen: ‘I was told a film with black leads wouldn’t make money’

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Rob Bilott delves into the Dark Waters to show the power of truth

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Bracing and elemental, Justin Kurzel gives us a glam rock Ned Kelly

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The genre-defying film destroying clichés about homelessness

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Steve Coogan: ‘Bad behaviour is tolerated if you make people money’

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Greed shows a darker side to the lifestyles of the rich and famous

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She’s a rebel: Autumn de Wilde and Anya Taylor-Joy on Austen’s Emma

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Respectful new take on Emma is Austen powered

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Jane Austen bookclub: the cast of Emma on the books that changed their lives

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Event cinema: a growing pot of gold

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Parasite is industrial-strength social satire

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Richard Jewell is a decent portrait of an unfairly maligned everyman

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Armando Iannucci’s David Copperfield adaption is brilliantly inclusive

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Bombshell’s telling of Fox CEO Roger Ailes’ downfall is satisfying but uneven

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George MacKay explains WWI epic 1917 using Super Mario and Luigi

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