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‘Eighth Grade’ – Bo Burnham’s tale of teenage clicks gets the thumbs-up emoji

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Neil Jordan: ‘Things can go insane without you knowing how, look at Brexit’

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‘Dragged Across Concrete’: Completely robbed by this punishing heist flick

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Oscar Isaac says ‘Triple Frontier’ gave him a taste for becoming a director

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‘Wild Rose’ review – Jessie Buckley blossoms in winning British comedy-drama

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‘The Sisters Brothers’ review – strong, silent gunslingers need not apply

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Kiefer Sutherland: ‘I cried to my dad. I didn’t know he was so important’

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‘At Eternity’s Gate’: You’ll emerge from the cinema looking at the world anew

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Ralph Fiennes: ‘Don’t lie, don’t deceive. Do your best not to hurt people’

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‘Minding The Gap’ is a candidly moving document of real young lives

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‘Ben is Back’ review – opioid addiction turned into suspenseful thriller

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Keira Knightley’s ‘The Aftermath’ holds lessons for Europe’s angry times

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‘Border’ review – bleak Scandi fable finds beauty in the eye of the beholder

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Simon Amstell recounts his lonely teenage years ahead of ‘Benjamin’ release

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Fighting With My Family review – wrestling-themed sibling drama smackdown

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‘On the Basis of Sex’: Ginsburg’s superhero origin tale lacks a little spirit

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Samantha Morton: There’s a misconception kids in care don’t know love

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‘If Beale Street Could Talk’ review – unfairly eclipsed by ‘Moonlight’

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‘Beale Street’ star Stephan James: ‘We don’t get to see black love like this’

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‘Can You Ever Forgive Me?’ review – toxic twins well worth their Oscar nods

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