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Keira Knightley’s ‘The Aftermath’ holds lessons for Europe’s angry times

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‘Border’ review – bleak Scandi fable finds beauty in the eye of the beholder

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Simon Amstell recounts his lonely teenage years ahead of ‘Benjamin’ release

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Fighting With My Family review – wrestling-themed sibling drama smackdown

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‘On the Basis of Sex’: Ginsburg’s superhero origin tale lacks a little spirit

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‘Instant Family’ review – serious message movie dressed in comedy clown shoes

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Samantha Morton: There’s a misconception kids in care don’t know love

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‘If Beale Street Could Talk’ review – unfairly eclipsed by ‘Moonlight’

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‘Can You Ever Forgive Me?’ review – toxic twins well worth their Oscar nods

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‘Vice’ review – enthusiastically disrespectful biopic of tricky Dick Cheney

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‘Mary Queen of Scots’ – brilliantly cast but poorly executed period drama

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Spider-Man: Far From Home shows Spider-Man is still fighting for the homeless

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Laughs on tap: ‘Stan & Ollie’ proves Steve Coogan’s certainly no lightweight

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Yo ho ho how about some more exciting film scheduling at Christmas please?

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Why is the best part of ‘The Muppet Christmas Carol’ still missing?

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There’s more to Christmas than It’s A Wonderful Life, Die Hard and Home Alone

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‘Three Identical Strangers’ – is the future already written in our genes?

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Andrea Riseborough: We’re at the turning point for female oppression

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In a world of fake news, what happens to satire?

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‘The Girl In The Spider’s Web’ – Lisbeth Salander reloaded for troubled times

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