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Review: Knives Out is a blade of glory for Rian Johnson

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There’s little magic in The Amazing Johnathan Documentary

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Blade Runner Day: Remembering Rutger Hauer and the van that changed his life

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Emilia Clarke: How can you get yourself together when you don’t have a home?

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Helen Mirren and Ian McKellen shine in The Good Liar

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Blade Runner is set in November 2019 but what does it say about our future?

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Ken Loach’s Sorry We Missed You shows reality of austerity Britain

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REVIEW: Naomie Harris finally gets a lead role in Black and Blue

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Space lamb – how Shaun the Sheep went interstellar for Farmageddon

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Chris Morris interview: “It’s bonanza time for bad behaviour”

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REVIEW: Chris Morris is back with scabrous comedy The Day Shall Come

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After the yellow brick road: Renée Zellweger plays a fading icon in Judy

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Big Issue vendor Lavinia has starring role at Wales Film Festival

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The sky’s the limit for Brad Pitt in Ad Astra

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The Last Tree director Shola Amoo: “This country is in an identity crisis”

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‘People always look to escape in difficult times’ say Downton Abbey stars

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It (Chapter Two) isn’t all that

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Timothy Spall: LS Lowry and the impact industrial landscapes had on my life

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In Pain and Glory, Pedro Almodóvar decides to send himself up – or does he?

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Kristen Stewart’s performance in JT LeRoy is no hoax

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