Home
Film

Film

.imgHideOnJavaScriptDisabled_imniwqn59 { display: none !important; }

Coronavirus, James Bond and the challenge for the movie industry

.imgHideOnJavaScriptDisabled_imniwqn5a { display: none !important; }

Toni Morrison’s remarkable life gets the film tribute it so richly deserves

.imgHideOnJavaScriptDisabled_imniwqn5b { display: none !important; }

Sir Steve McQueen: ‘I was told a film with black leads wouldn’t make money’

.imgHideOnJavaScriptDisabled_imniwqn5c { display: none !important; }

Rob Bilott delves into the Dark Waters to show the power of truth

.imgHideOnJavaScriptDisabled_imniwqn5d { display: none !important; }

Bracing and elemental, Justin Kurzel gives us a glam rock Ned Kelly

.imgHideOnJavaScriptDisabled_imniwqn5e { display: none !important; }

Emilio Estevez made libraries film to show how we “criminalise the poor”

.imgHideOnJavaScriptDisabled_imniwqn5f { display: none !important; }

The genre-defying film destroying clichés about homelessness

.imgHideOnJavaScriptDisabled_imniwqn5g { display: none !important; }

Steve Coogan: ‘Bad behaviour is tolerated if you make people money’

.imgHideOnJavaScriptDisabled_imniwqn5h { display: none !important; }

She’s a rebel: Autumn de Wilde and Anya Taylor-Joy on Austen’s Emma

.imgHideOnJavaScriptDisabled_imniwqn5i { display: none !important; }

Respectful new take on Emma is Austen powered

.imgHideOnJavaScriptDisabled_imniwqn5j { display: none !important; }

Jane Austen bookclub: the cast of Emma on the books that changed their lives

.imgHideOnJavaScriptDisabled_imniwqn5k { display: none !important; }

Event cinema: a growing pot of gold

.imgHideOnJavaScriptDisabled_imniwqn5l { display: none !important; }

Parasite is industrial-strength social satire

.imgHideOnJavaScriptDisabled_imniwqn5m { display: none !important; }

Joseph Mawle: seeing through Orwell’s eyes changed my views

.imgHideOnJavaScriptDisabled_imniwqn5n { display: none !important; }

Richard Jewell is a decent portrait of an unfairly maligned everyman

.imgHideOnJavaScriptDisabled_imniwqn5o { display: none !important; }

Armando Iannucci’s David Copperfield adaption is brilliantly inclusive

.imgHideOnJavaScriptDisabled_imniwqn5p { display: none !important; }

George MacKay explains WWI epic 1917 using Super Mario and Luigi

.imgHideOnJavaScriptDisabled_imniwqn5q { display: none !important; }

1917 review: it’s a terrifically good beat-the-clock nailbiter

.imgHideOnJavaScriptDisabled_imniwqn5r { display: none !important; }

M Night Shyamalan takes us through the real-life twists that surprise him

.imgHideOnJavaScriptDisabled_imniwqn5s { display: none !important; }

Why we are being bombarded by romantic Christmas films

.css-l0mio9{display:none;visibility:hidden;}