Home
Film

Film

.imgHideOnJavaScriptDisabled_imhi0g2wp { display: none !important; }

The sky’s the limit for Brad Pitt in Ad Astra

.imgHideOnJavaScriptDisabled_imhi0g2wq { display: none !important; }

The Last Tree director Shola Amoo: “This country is in an identity crisis”

.imgHideOnJavaScriptDisabled_imhi0g2wr { display: none !important; }

‘People always look to escape in difficult times’ say Downton Abbey stars

.imgHideOnJavaScriptDisabled_imhi0g2ws { display: none !important; }

Henry Cavill’s a super policeman in new film Night Hunter

.imgHideOnJavaScriptDisabled_imhi0g2wt { display: none !important; }

It (Chapter Two) isn’t all that

.imgHideOnJavaScriptDisabled_imhi0g2wu { display: none !important; }

Timothy Spall: LS Lowry and the impact industrial landscapes had on my life

.imgHideOnJavaScriptDisabled_imhi0g2wv { display: none !important; }

In Pain and Glory, Pedro Almodóvar decides to send himself up – or does he?

.imgHideOnJavaScriptDisabled_imhi0g2ww { display: none !important; }

Kristen Stewart’s performance in JT LeRoy is no hoax

.imgHideOnJavaScriptDisabled_imhi0g2wx { display: none !important; }

Balance, Not Symmetry review: Biffy Clyro’s transportive heightened reality

.imgHideOnJavaScriptDisabled_imhi0g2wy { display: none !important; }

Twin Peaks director David Lynch: ‘The word home… it’s a beautiful word’

.imgHideOnJavaScriptDisabled_imhi0g2wz { display: none !important; }

Spider-Man: Far From Home is losing the thread

.imgHideOnJavaScriptDisabled_imhi0g2x0 { display: none !important; }

Brightburn review: Superhero horror fails to take flight

.imgHideOnJavaScriptDisabled_imhi0g2x1 { display: none !important; }

To infinity… but what’s actually beyond?

.imgHideOnJavaScriptDisabled_imhi0g2x2 { display: none !important; }

Watch the trailer for Ken Loach’s new film on the gig economy

.imgHideOnJavaScriptDisabled_imhi0g2x3 { display: none !important; }

Diego Maradona review: A fascinating glimpse into the enigma of Maradona

.imgHideOnJavaScriptDisabled_imhi0g2x4 { display: none !important; }

What/If review: So truly, hilariously, joyfully bad that it’s kind of good

.imgHideOnJavaScriptDisabled_imhi0g2x5 { display: none !important; }

‘Gloria Bell’ review – An authentic remake of the Chilean classic

‘Booksmart’ breathes energetic new life into the rites-of-passage teen comedy

.imgHideOnJavaScriptDisabled_imhi0g2x6 { display: none !important; }

Patricia Arquette: ‘Women’s rights are being rolled back. Keep fighting’

.imgHideOnJavaScriptDisabled_imhi0g2x7 { display: none !important; }

‘In the Realm of Perfection’ review – A fascinating dissection of filmmaking

.css-l0mio9{display:none;visibility:hidden;}