Home
Film

Film

.imgHideOnJavaScriptDisabled_imfbxsr3k { display: none !important; }

‘Generation Wealth’: A suitably overloaded look at lives of the super-rich

.imgHideOnJavaScriptDisabled_imfbxsr3l { display: none !important; }

Win ‘You Were Never Really Here’ Blu-ray and screenplay books

.imgHideOnJavaScriptDisabled_imfbxsr3m { display: none !important; }

Standing out from the herd – in praise of Belgian filmmaker Agnes Varda

.imgHideOnJavaScriptDisabled_imfbxsr3n { display: none !important; }

‘In the Fade’ – Diane Kruger excels in tale of far-right violence and revenge

.imgHideOnJavaScriptDisabled_imfbxsr3o { display: none !important; }

‘McQueen’ is another fine cut in the recent fashion of haute couture movies

.imgHideOnJavaScriptDisabled_imfbxsr3p { display: none !important; }

Don’t let the daftness of ‘L’Amant Double’ trouble you – just surrender

.imgHideOnJavaScriptDisabled_imfbxsr3q { display: none !important; }

Lucrecia Martel’s ‘Zama’ is a llama llama ding dong well worth waiting for

.imgHideOnJavaScriptDisabled_imfbxsr3r { display: none !important; }

‘On Chesil Beach’ handsomely remembers a Britain before sexual liberation

.imgHideOnJavaScriptDisabled_imfbxsr3s { display: none !important; }

‘New Town Utopia’ bids you welcome to the concrete bungle

.imgHideOnJavaScriptDisabled_imfbxsr3t { display: none !important; }

‘Beast’ is a feast of psycho-sexual energy and violent passion

.imgHideOnJavaScriptDisabled_imfbxsr3u { display: none !important; }

Apes, jazz cigarettes and an extraterrestrial Homer’s Odyssey – 2001 reloaded

.imgHideOnJavaScriptDisabled_imfbxsr3v { display: none !important; }

Maxine Peake: “No one will finance a film because I am in it”

.imgHideOnJavaScriptDisabled_imfbxsr3w { display: none !important; }

Win a pair of tickets for Skid Row Marathon previews! Featuring a live Q&A

.imgHideOnJavaScriptDisabled_imfbxsr3x { display: none !important; }

‘Skid Row Marathon’ stunningly documents running recovery for LA’s homeless

.imgHideOnJavaScriptDisabled_imfbxsr3y { display: none !important; }

Listen to David Morrissey’s ‘The City And The City’ Spotify playlist

.imgHideOnJavaScriptDisabled_imfbxsr3z { display: none !important; }

‘120 Beats per Minute’ is an Aids docudrama that doesn’t waste a second

.imgHideOnJavaScriptDisabled_imfbxsr40 { display: none !important; }

Isle of Dogs, review – is it time Wes Anderson learned some new tricks?

.imgHideOnJavaScriptDisabled_imfbxsr41 { display: none !important; }

Punk, Icon, Activist: Never mind the Sex Pistols, here’s Vivienne

.imgHideOnJavaScriptDisabled_imfbxsr42 { display: none !important; }

The Square, review – is it hip to be satirising art world vapidity?

.imgHideOnJavaScriptDisabled_imfbxsr43 { display: none !important; }

You Were Never Really Here, review – Joaquin Phoenix nails hammer hitman act

.css-l0mio9{display:none;visibility:hidden;}