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Nickel Boys star Aunjanue Ellis-Taylor: ‘Black women’s tears are exploited’

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How can Netflix top sexy snowman caper Hot Frosty?

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Rom-com master Richard Curtis on Christmas, Love Actually and criticism: ‘You change with the times’

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Grand Theft Hamlet: Why these unemployed actors staged a Shakespeare play inside a video game

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Rumours review – an absurdist satire of the G7 summit that should make us all a bit afraid

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Sanditon star Rose Williams helps Big Issue with Christmas deliveries: ‘A pleasure and a privilege’

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Nightbitch director Marielle Heller: ‘I’m trying to normalise the messy side of menstruation’

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Letter to my Younger Self

Xena: Warrior Princess star Lucy Lawless: ‘To have Lisa Simpson say your name is crazy’

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Malala Yousafzai on taking on the Taliban and why ‘storytelling is the soul of activism’

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Wicked: The musical reimagining of The Wizard of Oz shows a way to reclaim the American dream

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Seven Samurai is the daddy of all action films. So why have I never watched it until now?

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John David Washington and Danielle Deadwyler: ‘When are Black people not in dire straits?’

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Will Gladiator II be a useful cautionary tale about putting self-serving man-babies in charge?

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Ben Whishaw on the ‘quiet political message’ running through Paddington: ‘I love it’

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Emily Mortimer: ‘Britain can be a tolerant place – but obviously there’s times when it isn’t’

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Paddington is a British icon. So why are we all not a bit more like Paddington?

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Anora review – even Russian mercenaries have a sensitive side

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We live in a golden moment for African cinema. It reminds us films are not just about entertainment

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The Room Next Door review – Pedro Almodóvar puts friendship and assisted dying in laser-focus

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Timestalker review – digging deep into how love makes fools of us all

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