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Anora review – even Russian mercenaries have a sensitive side

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We live in a golden moment for African cinema. It reminds us films are not just about entertainment

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The Room Next Door review – Pedro Almodóvar puts friendship and assisted dying in laser-focus

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Timestalker review – digging deep into how love makes fools of us all

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Joker: Folie à Deux says nothing meaningful about living with mental illness

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Letter To My Younger Self

Actor Adam Pearson: ‘I wake up every morning, let the universe kick my arse and then carry on’

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Will Ferrell takes a crash course in trans advocacy in new Netflix doc Will & Harper

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My Old Ass review – a sweet and cathartic coming-of-ages movie with a twist

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‘It’s art for people’: This one-man kayak project shows the beauty of slowing down

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In Camera review – a potent comment on race and identity in the film industry

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Letter To My Younger Self

Jared Harris: ‘I still wake up every morning wondering if I can make a living as an actor’

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Focus on Vogue-model-cum-war-correspondent in Kate Winslet passion project years in the making

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Big Issue founder John Bird’s debut novel optioned for screen adaptation

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Sir Ian McKellen on stage fall, rights and why he’s ‘the last of the lucky generation’

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14 years of austerity left many feeling grateful simply not to be on the streets

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Daniel Reisinger

‘It’s OK to laugh about death’: And Mrs director Daniel Reisinger’s guide to facing grief with a smile

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Sir Ian McKellen: ‘They better be quick if they want me to play Gandalf again!’

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Red Rooms director Pascal Plante on empathy, digital horror and why we’re all way too online

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Prisoner turned actor Clarence Maclin on life inside Sing Sing – and starring in a film based on it

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Arnie said he’d be back… How The Terminator and other classics are taking over cinemas – again

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