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From the magazine

From the magazine

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What Keir Starmer can learn from Britain’s first Labour government – 100 years ago

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Letter to my younger self

Henry Winkler on Happy Days, dyslexia and why he’ll always love The Fonz: ‘I’m grateful’

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The Holdovers review – a film of well-turned wit and emotional warmth

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Reading Robert Smith’s diary made me fall in love with The Cure

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I say ‘hello’ when I walk into shops and smile at strangers. Yes, I know, I’m a monster

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Jodie Comer: ‘I really want women to see themselves depicted in a truthful light’

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Morton Feldman at the Tate Modern – an elegy for pioneering artist Philip Guston

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The Coral co-founder Bill Ryder-Jones on beauty, sorrow and psychedelic new album Iechyd Da

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Peter Capaldi: ‘There are a lot of big problems – there’s no point burying our head in the sand’

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Happy Days icon Henry Winkler: ‘The Fonz gave me opportunity – but then he took opportunity away’

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Jodie Comer on taking up space as a woman and advice she received from Killing Eve co-star

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To the Dogs by Louise Welsh review – a propulsive campus thriller

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Why residents must, must, must have a say in the design of their communities

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Emma Stone’s new film Poor Things is a fantastical discovery of mind, body and world

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Top 5 books featuring doppelgängers – chosen by acclaimed Rabbit Hole author Kate Brody

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Cracking Good Food: Meet the group giving out free kitchen equipment to those in need

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Dead Ink Books: Why we will never publish in the mainstream

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Streaming has ruined TV. Could 2024 be the year we all finally snap?

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Halfway House by Helen FitzGerald review – a masterclass in blackly comic horror

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The Monster Raving Loony Party are making more sense than their rivals. No, seriously

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