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Barrowbeck by Andrew Michael Hurley review – creepy tales from the valley

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Out There Screaming edited by Jordan Peele review – horror writing of the first order

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What makes Disney’s Rivals such a triumph? It has more pumping buttocks than the Grand National

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If Only by Vigdis Hjorth review – a purging of a volatile affair

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A Spring of Love by Celia Dale review – disturbances in suburbia

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This jazz festival born in the wake of the pandemic captures the heart of the Big Easy

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Anora review – even Russian mercenaries have a sensitive side

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The Most by Jessica Anthony review – cracks just beneath the surface of an all-American family

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The Room Next Door review – Pedro Almodóvar puts friendship and assisted dying in laser-focus

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That Beautiful Atlantic Waltz by Malachy Tallack review – a moving testament to the power of music

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Playground by Richard Powers review – a crafty and deep examination of the state we’re in

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Introducing Mustache Funk: The underground sounds that flourished in Soviet-controlled Ukraine

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Gabriel’s Moon by William Boyd review – edge-of-your-seat Cold War escapism

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Timestalker review – digging deep into how love makes fools of us all

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Tell Me Everything by Elizabeth Strout review – small-town secrets

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Recognising the Stranger: On Palestine and Narrative review – a clear-eyed meditation

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Romeo & Seahorse by Nikolaj Tange Lange review – gayness throbs through vein and artery

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Reservoir Bitches by Dahlia de la Cerda review – Mexico’s gritty underbelly, as told by women

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Couples Therapy is watch-through-your-fingers TV at its best – it’s impossible to look away

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Will Ferrell takes a crash course in trans advocacy in new Netflix doc Will & Harper

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