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Ava Anna Ada by Ali Millar review – the apocalyptic age of anxiety

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Normal Women by Ainslie Hogarth – a dark take on suburban motherhood

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The Holdovers review – a film of well-turned wit and emotional warmth

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To the Dogs by Louise Welsh review – a propulsive campus thriller

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Emma Stone’s new film Poor Things is a fantastical discovery of mind, body and world

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Halfway House by Helen FitzGerald review – a masterclass in blackly comic horror

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Our essential guide to the best TV shows of 2023: From The Last of Us to Succession

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An ultimate guide to the best books of 2023 – as chosen by esteemed Big Issue critics

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Yule Island by Johana Gustawsson review – gritty, scary, funny and full of heart crime writing

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Gaslight by Femi Kayode review – a powerful evocation of today’s Nigeria

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How Star Wars Holiday Special became more powerful than George Lucas could possibly imagine

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Deck the halls with hits and follies: The greatest Christmas albums of 2023, ranked

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The Coiled Serpent by Camilla Grudova review – unsettling short stories of grimy austerity

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Bad Taste by Nathalie Olah review – relentlessly anti-capitalist

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Napoleon review – a man at war with the world and himself

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Queens of the Stone Age review: Saving lives with joyous mayhem

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Split Tooth by Tanya Tagaq review – coming of age in the Tundra

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Now and Then: is it time for Beatles fanboys to finally let it be?

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Saltburn review – Barry Keoghan steals the show

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The Woman in Me review – Britney Spears finally sets the record straight

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