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Ripcord by Nate Lippens review – acid-tongued meditations on middle-aged homosexuality

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Morning and Evening by Jon Fosse review – language pared back almost to the bone

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The Making of Do They Know It’s Christmas? review – spine-tingling scenes alongside camp and chaos

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BBC 6 Music’s Deb Grant: These are the albums, gigs and books that brought me joy in 2024

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Juice by Tim Winton review – asking big questions after the apocalypse

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New Martha Stewart documentary shows fragility beneath the Darth Vader persona

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Seven Samurai is the daddy of all action films. So why have I never watched it until now?

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I committed a cardinal sin at the Wexford Festival Opera

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Ground by Jadelin Gangbo review – hope for healing amid the wreckage

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Barrowbeck by Andrew Michael Hurley review – creepy tales from the valley

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Out There Screaming edited by Jordan Peele review – horror writing of the first order

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What makes Disney’s Rivals such a triumph? It has more pumping buttocks than the Grand National

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If Only by Vigdis Hjorth review – a purging of a volatile affair

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A Spring of Love by Celia Dale review – disturbances in suburbia

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This jazz festival born in the wake of the pandemic captures the heart of the Big Easy

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Anora review – even Russian mercenaries have a sensitive side

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Inside the Leeds International Piano Competition: Where uprights are turned into half-pipes

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The Room Next Door review – Pedro Almodóvar puts friendship and assisted dying in laser-focus

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That Beautiful Atlantic Waltz by Malachy Tallack review – a moving testament to the power of music

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Playground by Richard Powers review – a crafty and deep examination of the state we’re in

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