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Core festival Glasgow review: Chat Pile, Deafheaven, Liturgy at diverse new noise weekender

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Bright Fear by Mary Jean Chan: Poetry alive with compassion and acceptance

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Ootlin: A Memoir by Jenni Fagan review: Harrowing truths about the care system

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Devo 50 – UK farewell tour review: Boy, they can Booji

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The story of the world’s first drag ABBA tribute band

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No more good cop, bad cop: Revisiting Serpico and Training Day in the wake of global calls to abolish the police

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Lost on Me by Veronica Raimo review: Family dynamics beg closer inspection

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Sea Change by Gina Chung review: Busy plotting undoes wry wit

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Ripe review: A dread-filled indictment of capitalism

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Little Rabbit review: The politics of kink

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Silver Nitrate by Silvia Moreno-Garcia review: Menacing and magical happenings made believable

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Beware the Woman by Megan Abbott review: A slow-burning thriller that explodes into horror

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Blur live at the BBC’s Radio Theatre: An up-close communion with a shared past

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The Bookbinder of Jericho by Pip Williams review: Women in the shadow of war

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The Black Eden by Richard T Kelly review: A story of Scotland’s black gold rush

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Pulp at TRNSMT, Glasgow: Class anger made transcendent

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Bellies by Nicola Dinan review: Compelling and compassionate trans romance

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Tony Allen: Inventor of Afrobeat was both technically remarkable and irresistibly funky

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Is Mission: Impossible on Cruise control?

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Lákíríboto by Ayodele Olofintuade review: Amidst all the death, we celebrate life

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