Film

.imgHideOnJavaScriptDisabled_imqpzamjc { display: none !important; }

Whistle star Dafne Keen: ‘I love death scenes. I love killing on camera, that’s all very fun to me’

.imgHideOnJavaScriptDisabled_imqpzamjd { display: none !important; }

Letter To My Younger Self

Nouvelle Vague director Richard Linklater: ‘I’ve spent my adult life doing exactly what I wanted’

.imgHideOnJavaScriptDisabled_imqpzamje { display: none !important; }

Nouvelle Vague review – Richard Linklater’s witty, whimsical love letter to Jean-Luc Godard

.imgHideOnJavaScriptDisabled_imqpzamjf { display: none !important; }

Saipan star Steve Coogan: ‘The bust-up between Roy Keane and Mick McCarthy became a lightning rod’

.imgHideOnJavaScriptDisabled_imqpzamjg { display: none !important; }

Rental Family review – satisfaction guaranteed with Brendan Fraser

.imgHideOnJavaScriptDisabled_imqpzamjh { display: none !important; }

The next Hollywood reboot? Try the awards season

.imgHideOnJavaScriptDisabled_imqpzamji { display: none !important; }

Toys, Ghostface and lots and lots of superheroes: These are the films to get excited about in 2026

.imgHideOnJavaScriptDisabled_imqpzamjj { display: none !important; }

Tinsel Town review – Kiefer Sutherland in a panto? Oh no, he isn’t, oh yes he is

.imgHideOnJavaScriptDisabled_imqpzamjk { display: none !important; }

A dementia diagnosis is not a final curtain. It can even be an opening act

.imgHideOnJavaScriptDisabled_imqpzamjl { display: none !important; }

The Thing with Feathers review – a bruising but rewarding watch

.imgHideOnJavaScriptDisabled_imqpzamjm { display: none !important; }

Train Dreams star Joel Edgerton: ‘What is the meaning of this life that we have?’

.imgHideOnJavaScriptDisabled_imqpzamjn { display: none !important; }

Daniel Day-Lewis is coming out fighting: ‘Any time Brian Cox wants to talk… I’m easy to find’

.imgHideOnJavaScriptDisabled_imqpzamjo { display: none !important; }

Die, My Love review – an extremely fraught, emotionally intense tale of motherhood

.imgHideOnJavaScriptDisabled_imqpzamjp { display: none !important; }

Daniel Day-Lewis on row with Brian Cox over method acting: ‘I don’t know where the f**k that came from’

.imgHideOnJavaScriptDisabled_imqpzamjq { display: none !important; }

The Mastermind review – Kelly Reichardt lays out the worst-laid plans

.imgHideOnJavaScriptDisabled_imqpzamjr { display: none !important; }

Mr Scorsese director Rebecca Miller on the surprising thing about Martin Scorsese

.imgHideOnJavaScriptDisabled_imqpzamjs { display: none !important; }

Good Boy review – tails of the unexpected in a ghostly shaggy-dog story

.imgHideOnJavaScriptDisabled_imqpzamjt { display: none !important; }

The Colonel and The King by Peter Guralnick review – behind the myth of Elvis and his manager

.imgHideOnJavaScriptDisabled_imqpzamju { display: none !important; }

Cult poet Martin Newell: ‘I am the good granddad of rock ‘n’ roll’

.imgHideOnJavaScriptDisabled_imqpzamjv { display: none !important; }

Dead of Winter review – Emma Thompson is an ice cool, unlikely hero

.css-l0mio9{display:none;visibility:hidden;}