Film

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The Dive: A clammy, cathartic scuba thriller

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No more good cop, bad cop: Revisiting Serpico and Training Day in the wake of global calls to abolish the police

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William Friedkin on ‘rip-off’ Exorcist sequels, Scorsese selling out and dressing as Ali G

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Joy Ride: A modern kind of gross-out comedy

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Kokomo City: ‘Who doesn’t want these girls to be safe?’

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Is Talk To Me the scariest film of the year?

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How Sinéad O’Connor risked it all to speak truth to power – and inspired a new generation

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Melissa Barrera: ‘Carmen represents rebellion’

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Does Mission: Impossible prove Hollywood has forgotten how to end a movie?

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Is Mission: Impossible on Cruise control?

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An Elemental problem at the heart of Pixar

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John Rhys-Davies: ‘We learn from our exposure to fear’

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Punch a Nazi: The morally certain joy of Indiana Jones, from Raiders to the Dial of Destiny

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Peter Crouch: ‘It felt like the whole world was ridiculing me’

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Asteroid City is a perfectly timed meditation on grief

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A Dispatch from ’24 Hour Wes Fest’, or The Peculiar Oddities of a Wes Anderson Cinematic Endurance Test

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Glenda Jackson defied expectations to succeed in acting and politics

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Jayde Adams on how Take That movie Greatest Days captures the ‘intensity of fandom’

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The evolution of Mean Girls on screen… from Heathers to Sex Education

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Chevalier: Kelvin Harrison Jr on being a ‘soldier’ for overlooked Black history

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