Film

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Are big-budget horror movies becoming more conservative?

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BlackBerry review – the ruthlessness and farce of big business

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Artificial intelligence

The Creator: Could AI have generated Gareth Edwards’ gorgeous new sci-fi blockbuster?

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Reflections on the Black Sea: A film festival from a rich and perilous region

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‘This is a city of homeless people’: Finding hope in the horror with hidden heroes of Ukraine

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More powerful together: the authentic experiences behind Ken Loach’s new film

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McCarthy-era blacklists transformed Hollywood. Will the same happen after the strikes?

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The Old Oak: Director Ken Loach and writer Paul Laverty on changing the conversation and challenging cruelty

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Hot fuzz: The most glorious moustaches in movie history, ranked

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The Dive: A clammy, cathartic scuba thriller

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No more good cop, bad cop: Revisiting Serpico and Training Day in the wake of global calls to abolish the police

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William Friedkin on ‘rip-off’ Exorcist sequels, Scorsese selling out and dressing as Ali G

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Joy Ride: A modern kind of gross-out comedy

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Kokomo City: ‘Who doesn’t want these girls to be safe?’

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Is Talk To Me the scariest film of the year?

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How Sinéad O’Connor risked it all to speak truth to power – and inspired a new generation

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Kalvin Phillips: ‘This generation of players can inspire young people’

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Does Mission: Impossible prove Hollywood has forgotten how to end a movie?

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Is Mission: Impossible on Cruise control?

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An Elemental problem at the heart of Pixar

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