Film

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How chicken factory musical Chuck Chuck Baby became a love letter to working-class women

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Why watching the news can be like watching a horror film – literally

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Francis Ford Coppola’s The Conversation is an eerie prediction of our surveillance age

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Kinds of Kindness show it’s not enough to accept alienation under capitalism – we must love it too

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Jeff Nichols on The Bikeriders, punk rock and what makes Austin Butler a ‘stone cold movie star’

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A world without cinema is a world I don’t want to live in

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Blur: To The End review – poignant new music film shows a band of brothers reunited

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Why Sasquatch Sunset is so much more than just a gross-out comedy in Chewbacca drag

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Viggo Mortensen on Trump, corruption and why classic Westerns are like the best poetry

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Furiosa director George Miller on the function of stories and why Mad Max is a ‘cautionary tale’

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The Garfield Movie review – we’re not feline the tubby orange tabby’s full CGI makeover

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Made in England: The Films of Powell and Pressburger – Scorsese’s tribute to duo who inspired him

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Filmmaker Melanie Manchot explains how her drama Stephen can offer hope to addicts

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She-Hulk star Tatiana Maslany: ‘Fear is not necessarily the worst thing to feel’

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Much Ado About Dying filmmaker on social care and why we should all be exposed to ‘good deaths’

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Love Lies Bleeding director Rose Glass on why women’s muscles are still ‘shocking and subversive’

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Challengers review – Zendaya stars in an absurdly compelling three-way love match

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Mena Massoud on life after Aladdin, confidence and the problem with roles for actors of colour

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Civil War director Alex Garland on ChatGPT, 28 Years Later and why Britain is like a ‘pet cat’

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From The Iron Claw to Opponent: How wrestling films began grappling with real issues

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