Film

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Emily Mortimer: ‘Britain can be a tolerant place – but obviously there’s times when it isn’t’

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Paddington is a British icon. So why are we all not a bit more like Paddington?

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‘War is madness’: Steve McQueen and Saoirse Ronan on Britishness, trauma and new drama Blitz

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Anora review – even Russian mercenaries have a sensitive side

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The Room Next Door review – Pedro Almodóvar puts friendship and assisted dying in laser-focus

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Timestalker review – digging deep into how love makes fools of us all

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Why the problems of this remote Kenyan community are the problems that face us all

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Joker: Folie à Deux says nothing meaningful about living with mental illness

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Will Ferrell takes a crash course in trans advocacy in new Netflix doc Will & Harper

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My Old Ass review – a sweet and cathartic coming-of-ages movie with a twist

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The Gilded Age star Carrie Coon: ‘We don’t have to be a capitalist machine’

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In Camera review – a potent comment on race and identity in the film industry

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Letter To My Younger Self

Jared Harris: ‘I still wake up every morning wondering if I can make a living as an actor’

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Focus on Vogue-model-cum-war-correspondent in Kate Winslet passion project years in the making

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Red Rooms director Pascal Plante on empathy, digital horror and why we’re all way too online

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Prisoner turned actor Clarence Maclin on life inside Sing Sing – and starring in a film based on it

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Only The River Flows review – a Chinese crime thriller awash with mystery

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Kensuke’s Kingdom offers an emotional edge over Disney’s slick and song-filled mega-flicks

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Actor and activist Rob Delaney on giving money to the poor, giving Starmer a chance and Deadpool

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Can Deadpool & Wolverine save the Marvel Cinematic Universe? Yes and no

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